Seekers in Sicily: Being a Quest for Persephone by Jane and PeripateticaBisland, Elizabeth
General
Seekers in Sicily: Being a Quest for Persephone by Jane and Peripatetica
Bisland, Elizabeth
Sicily (Italy) -- Description and travel
They delighted in pageants and splendid public festivals,
these splendour-loving Akragantines, of whom
their philosopher Empedocles said that they “built as
if they were to live forever and feasted as if they were
to die on the morrow!” We know they went out to
welcome young Exainetos, victor at the Olympian
Games, with three hundred glittering chariots drawn
all by milk-white horses; we know of the wonderful
illuminations that lit all the city, from the monuments
of the high Acropolis to the temple-crowned sea-rampart,
when a noble bride passed at night to her new
home, with flutings and chorus, and an escort of eight
hundred carriages and riders innumerable.
Now the town seemed to be mostly a winding tangle
of steep stairs—with houses for walls—and these stairs
were bestrewn with ancient remnants of vegetables that
had outlived their usefulness, and a swarming population
of children. Fazelli mentions an Agrigentian
woman of his time who brought forth seventy-three
children at thirty-three births, and judging from the
appearance of the streets that rabbit-like practice still
maintains. Way could hardly be made through the
swarm of juvenile pests, clamouring for pennies and
offering themselves as guides, until a boy in slightly
218cleaner rags was chosen to show the way to the Cathedral.
Once given an official position he furiously put
his competitors to flight, and with goat-footed lightness
flitted before up the ladder-like alleys, while the
two panted after until it seemed as if they should be
able easily to step off into the sky.
A queer old Fourteenth Century campanile, with
Norman ogives and Moorish balconies, still gives character
to the exterior of this thousand-foot-long Cathedral
of San Gerlando perched aloft in the windy blue,
but inside the Eighteenth Century had done its worst.
Baroque rampant; colossal stucco mermaids and cupids,
interspersed with gilded whorls and scrolls as
thick as shells upon the “shell-work” boxes of the seaside
booths. A giant finger could flick out a dozen
cupids anywhere without their ever being missed.
Yet it stands upon the ruins of a temple to Jove, and
here for more than two thousand years have prayers
and praise and incense gone up to the gods of the
overarching blue that looks so near, so that even stucco
and gilding cannot render it irreverent or lessen its
power to brood the children of earth beneath its wings.
Temples of Castor and Pollux, Girgenti
“Lifting Themselves Airily From a Sea of Flowers”
Public-domain text, read in full here on John Shaqi.
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