Berliet swam along the Calabrian shore, lifting them lightly up the steeps, swooping purringly down the slopes,—swinging about the bold curves of the coast; rounding the tall spurs, where the sea shone, green and 22purple as a dove’s neck, five hundred feet below, and where orange, lemon, and olive groves climbed the narrow terraces five hundred feet above. They were following the old, old way, where the Greeks had gone, where the Romans went, where Normans rode, where Spaniards and Saracens marched; the line of the drums and tramplings of not three, but of three hundred conquests! They were following—in a motor car—the passageway of three thousand years of European history that was to lead them back beyond history itself to the old, old gods. The way was broad and smooth, looping itself like a white ribbon along the declivity, and even Peripatetica admitted it was lovely, though she has an ineradicable tendency to swagger about the unapproachable superiority of Venezuelan scenery; probably because so few are in a position to contradict her, or because she enjoys showing off her knowledge of out-of-the-way places which most of us don’t go to. She had always sniffed at the Mediterranean as overrated in the matter of colour, and declared it pale and dull beside the green and blue fire of Biscayne Bay in Florida, but it was a nice day, and a nice sight, and Peripatetica handsomely acknowledged that after Venezuela this was the very best scenery she knew. At Amalfi “Where amid her mulberry trees Sits Amalfi in the heat, Bathing ever her white feet In the tideless summer seas,” they climbed 175 steps to the Cappucini convent which hangs like a swallow’s nest in a niche of the cliffs, flanked by that famous terrace the artists paint again 23and again, from every angle, at every season of the year, at every hour of the day. There they imbibed a very superior tea, while sea and sky did their handsomest, listening meanwhile to a fellow tourist brag of having climbed to Ravello in his motor car.