Seets i' Paris: Sammywell Grimes's trip with his old chum Billy Baccus, his opinion o' th' French, and th' French opinion o' th' exhibition he made ov hissenHartley, John
General
Seets i' Paris: Sammywell Grimes's trip with his old chum Billy Baccus, his opinion o' th' French, and th' French opinion o' th' exhibition he made ov hissen
Hartley, John
British -- France -- Paris -- Fiction; Dialect literature, English -- England -- Yorkshire; Paris (France) -- Fiction
But, for a blessin, th' chap at awd had hold on, coom back an' browt a
lass wi him, one at aw sup-pooas wor kept o' purpose for th' job, an'
as shoo happened to know as mich English as aw did French we gate on
famously. At last aw bethowt me o' th' railway station an' that shoo
seemed to understand, an' shoo tell'd th' driver summat, but he seemed
to think he'd had enuff on us, but aw shoved him o' one side an' set
daan along-side Billy, an' as he could see noa way else aght on it, he
jumpt on th' dicky an' tuk his revenge aght o' th' horse. Be-foor he gat
us to th' station aw saw th' haase we wor seekin soa aw stopt him, an'
we gat aght, an' as we gave him double his fare he gave us a flourishin'
salute an drave off. As aw wor gooin in at th' door Billy pooled me back
an' pointed to two little childer abaat eight year old an' he laft wol
he could'nt spaik for ivver so long, "He, he, he, ho! did ta ivver come
across owt like that? Tha mun tell Mally abaat that when tha gets hooam
for it licks all! Why even th' bits o' childer can tawk French!" an' it
wor true too, tho' when aw coom to consider abaat it aw did'nt see owt
soa varry wonderful in it after all.
A cup o' teah an' a walk to th' railway station whear we gat a gooid
wesh for a penny, freshened us up a bit an' we prepared to spend th'
furst neet i' Payris th' same as mooast fowk do; that is, we started
aght i' hoaps at we should see summat at we should condemn after we'd
seen it, an' deplore th' existence ov th' varry things at form th'
principal attraction for nine aght o' ivvery ten at pay a visit to
th' finest city ith' world, whear gaiety flooats ovver th' surface o'
ivverything an' th' cankerin sorrow is busy deep ith' heart.=
```A sorrowing heart ne'er seems as sad
````As when'midst gaiety;
```You see beneath the flimsy veil,
````Its writhing misery.=
```The apple with the golden rind,
````The greedy eye gloats o'er,
```But then, alas,'tis sad to find
````Dry ashes at its core.=
```The smiling face, the beaming eye.
````The soft and snowy skin;
```Turns pleasure into horror when
````We find all black within.=
```Better the humblest face and form.
````If virtue dwells therein;
```Than all the beauties that adorn
````The inward heart of sin.=
[Illustration: 0053]
[Illustration: 0054]
CHAPTER IV. JENDI SOIR.
[Illustration: 9054]
OULEVARD des Italiens;--aw copied that off a gas-lamp. It's a grand
saandin name but it is'nt hauf as grand as th' street, (for it is nobbut
a street after all.)
Public-domain text, read in full here on John Shaqi.
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