As he had foreseen, this business-like view of the proceeding reconciled her to it as nothing else would have done, and it was with a light heart and a smiling face that she first set foot over the threshold of "Mon Bijou." Morris himself conducted his little guest to the rooms that had been prepared for her occupation. The villa was situated on the heights overlooking the bay, and Evarne, stepping out on to the verandah, stood enthralled by the beauty around. She gazed over the broad expanse of purple sea sparsely dotted with small sails, white and brown--at the island of Capri, haunted by the memory of dark mysteries--at the far distant dome of the Italian heavens that crowned all. Then she let her delighted eyes wander over the picturesque roof-tops of the town to the soft yet never-failing canopy of smoke that mingled itself with billowy white clouds overshadowing the crater of Vesuvius the volcano. Then she looked at the gardens of the villa itself. There she saw paths made of smooth-coloured pebbles arranged in mosaic designs, winding amid strange and luxurious trees and shrubs and blossoms; saw snowy statues gleaming amid the green growth; saw arbours, set near the scent of orange-blossom or mimosa; while a white marble fountain--an art treasure in itself--gaily tossed upwards a sparkling jet of water, which fell with a gentle splash into a deep, carved basin encircled by thick clumps of flowers. Overwhelmed by beauty so universal, so lavish, so abundant, she stood rapt until Morris's patience was exhausted. When at length she could be persuaded to pay attention to her apartments she found them, in their way, to be equally enchanting--equally appealing. The chief room was very large, and decorated with an almost florid luxuriance. Everywhere the eye turned were pictures, statuettes, carved ivories, bowls and vases and bronzes--each the embodiment of some artistic dream. Everything was profuse--there were many books, many mirrors, much gilding, carving, tapestry and embroidery, while masses of vivid flowers scented the air. The characteristic feature, however, was the mad riot and mingling of every glaring hue, blended together into a bewildering yet exquisite harmony. There was mauve and deepest violet, gold, blue, and a touch of emerald green. The walls were rich crimson, with creamy white introduced into the deep frieze, whereon dancing maidens were moulded in relief. The whole scheme of colour was daring, brilliant, defiant; it suggested life, youth, vitality, pleasure without remorse. The little bedroom opened out from this. It was daintily small, all white and pale green, the one striking splash of colour being given by a bowl of pink roses. Simple, demure, unassuming, it formed a strange contrast to the tropical violence of its neighbour.