"They are very different one from another, both in their style of work
and their method of teaching," he had said. "I will take you to visit
both studios, and you can see if one appeals to you more than the
other."
Now she reminded him of this promise.
"I want to oversee the unpacking of my boxes," she said, "and then, if
you please, I should like to visit the studios you spoke of. I want to
start working in all seriousness almost at once."
"Oh, no hurry; postpone that!" was the lazy advice. But she shook her
head with righteous emphasis.
"I don't mean to delay and delay like the foolish virgins in the Bible.
You remember that story?"
"I can't say I remember those particular damsels," rejoined Morris, with
a twinkle in his eye; "but candidly I maintain that _all_ virgins are
foolish."
"That's a very debatable point!" retorted Evarne, smiling, yet slightly
biting her under-lip. "Seriously, I want to start work at once. Now, let
me go and put on my hat, and we will place business before pleasure,
like good people."
This time Morris wisely checked the response that rose to his lips.
The rival studios both got visited that day, and the one wherein Evarne
was to experience the pangs and delights of the aspiring Art student was
duly settled upon. It was really somewhat absurd that a mere beginner,
totally untrained in the very rudiments of drawing, should be introduced
into such an advanced coterie as that of Florelli's.
As Evarne gazed with admiring yet somewhat saddened eyes at the work of
the other students, she felt this herself. To her they all seemed
finished artists already! She could certainly get herself up in a loose
overall plentifully besmeared with paint and charcoal, she could allow a
curl of hair to escape from its confining bonds, and thus--as far as
appearance went--be on an artistic equality with those of her new
companions who were of the feminine persuasion. But would she ever be
able to work as beautifully as did these young men and women? She
doubted it, and yet, appalling realisation! these superior young people
were not winning fame and fortune. Alack and alas, they were still
studying--still knew their work imperfect--were still striving to
attain!
Public-domain text, read in full here on John Shaqi.
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