Seldwyla Folks: Three Singular TalesKeller, Gottfried
General
Seldwyla Folks: Three Singular Tales
Keller, Gottfried
Switzerland -- Social life and customs -- Fiction
From 1861 to 1878 Keller filled, to the eminent satisfaction of his
countrymen, the important and remunerative office of "Staatsschreiber,"
one that combined the duties of secretary of state with those of
custodian of documents and librarian for his native canton, which was
offered him in direct recognition of his literary merits. As such he
utilized for a cycle of semi-historical tales some of the most curious
records in his keeping, which are embalmed in his "Zurich Stories"
(Zuericher Novellen), 1877. In the year after that he retired from
office, and in 1882 appeared "The Epigram" (Das Sinngedicht), in 1883
his "Seven Legends," based on some of the Lives of the Saints,
singularly humanized and modernized, and in 1886 finally "Martin
Salander," an intensely patriotic and peculiarly Helvetian novel. He
was also a master of the short story, a sadly neglected field in
Teutonic literature.
Meanwhile, wherever German was understood or spoken the writings of
Gottfried Keller had found intense appreciation, at first slowly, then
more rapidly, and eminent German critics and authors, such as Theodore
Storm, Berthold Auerbach, F. Th. Vischer and others, had pronounced
themselves ardent admirers of his. But in 1890 he died, after a
lingering illness.
The question may well be asked how it is that the literary lifework
of such a man as Gottfried Keller has for so many years been denied
the most sincere form of homage, that of translation, by the whole
non-German-speaking world. There may be additional reasons for this
seeming neglect, but I believe the chief one lies in the fact of the
unusual difficulty of the task. To cast the thoughts and conceits of an
individualistic writer into another vehicle of speech is in itself no
easy matter. But in the case of Gottfried Keller it is especially so.
For the man, as I took pains to point out, was a Swiss, not by any
manner of means a German. And not only is the subject matter of his
lyrical and epical output strongly tinged with Helvetism, but his very
language as well. The Swiss-German vernacular is more than a mere
dialect; it is almost a tongue of its own. On all but on the few solemn
and formal occasions of life the Swiss expresses himself in what he
terms "Schwyzer-Dütsch," which is indeed scarcely understood by persons
habituated to German proper, and even when the Swiss author perforce
drops into the latter he uses so many peculiarly Helvetian terms and
modes of speech, so many archaic saws, his whole method of handling the
language is so different that to reshape what he says into another
tongue without doing violence to the spirit, the soul, the flavor and
thus marring the translation irretrievably and doing gross injustice to
the original becomes doubly hard.
I can only say that I have done in this respect what was humanly
possible. What the final result has turned out to be is for the court
of last resort, for the final arbiter, the reader, to say.
Public-domain text, read in full here on John Shaqi.
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