Select Conversations with an Uncle (Now Extinct) and Two Other ReminiscencesWells, H. G. (Herbert George)
General
Select Conversations with an Uncle (Now Extinct) and Two Other Reminiscences
Wells, H. G. (Herbert George)
English wit and humor
"No, of course I don't object to having music. But it is an accessory,
not an object, in life. It is, after all, a physical comfort, a
pleasant vibration in one's ears. To make an object of it is
sensuality. It is on all-fours with worshipping the wallpaper. Some
wall-papers are very beautiful things nowadays, harmonious in form and
colour, skilful in invention; but people do not expect you to sit down
and admire wall-paper, or promise you 'wallpaper at eight.' Neither do
they put an extinguisher over any girl who does not go with the
wall-paper, or expect you to dress in neutral tint on account of it,
and they are not hurt if you go away without seeming to see it.
Gustatory harmony, too, is very delicious. Yet there is no hush during
dinner; they do not insist upon a persistent gnawing in honour of the
feast. But these musical people! their god is their piano. They set
up an idol in their salon, and command all the world to bow down to it.
They found a priestcraft of pianists, and an Inquisition of fiddlers.
When I came away they were all crowded round a violin, the women
especially. They could not have fussed more if it had been a baby.
They stroked it and admired its figure. It _had_ rather a fashionable
figure, but the neck was too long...."
I began to suspect the cause of this bitterness.
"Yes. She was there. And while some of this piano was going on she
looked at the ear of the man who was playing with a dreamy, tender
look.... No. I couldn't get a word with her the whole evening."
THE JOYS OF BEING ENGAGED
As I was passing the London University the other day I saw my uncle
emerge from the branch of the Bank of England opposite, and proceed in
the direction of the Burlington Arcade. He was elaborately disguised
as a young man, even to the youthful flower, and I was incontinently
smitten with curiosity respecting the dark purpose he might veil in
this way. There is, to me, a peculiar and possibly rather a childish
fascination in watching my more intimate friends unobserved, and,
curiously enough, I had never before studied the avuncular back view.
I found something singularly entertaining in the study of the graceful
contour of his new frock coat, and in the cheerful carriage of his
cane. He paraded, a dignified procession of one, some way down the
Arcade, hesitated for a moment outside a jeweller's shop, and then
entered it. I strolled on as far as Piccadilly, returned to the shop,
and so fell upon him suddenly in the midst of his buying.
"Hullo, George!" he said hastily, facing me so as to hide as much of
the counter as possible. "How's Euphemia?"
I looked him fairly in the eye. "You are buying a _ring_," I said in a
firm, decided voice.
He turned to the counter with an air of surprise. "By Jove, so I am!"
"A lady's ring," I said. He was, I could see, hastily collecting his
sufficiently nimble powers of subterfuge. "One must buy something, you
know, George, sometimes," he said feebly.
Public-domain text, read in full here on John Shaqi.
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