Select Conversations with an Uncle (Now Extinct) and Two Other ReminiscencesWells, H. G. (Herbert George)
General
Select Conversations with an Uncle (Now Extinct) and Two Other Reminiscences
Wells, H. G. (Herbert George)
English wit and humor
"These people will never understand," he said, after a momentary pause,
addressing the gentleman with the Jovian coiffure, and indicating the
remains of the prosperous gentleman by a wave of a large white hand.
"Why do you argue? Art is ever for the few."
"I did not argue," said the gentleman with the hair. "I was
interrupted."
The owner of the watch-chain, who had been sitting struggling with his
breath, now began to sob out his indignation. "What do you _mean_,
sir? Saying _Bah_! sir, when I am talking----"
The gentleman with the large face held up a soothing hand. "Peace,
peace," he said. "I did not interrupt you. I annihilated you. Why
did you presume to talk to artists about art? Go away, or I shall have
to say Bah! again. Go and have a fit. Leave us--two rare souls who
may not meet again--to our talking."
"Did you ever see such abominable _rudeness_, sir?" said the gentleman
with the watch-chain, appealing to me. There were tears in his eyes.
At the same time the young man with the aureole made some remark to the
corpulent gentleman that I failed to catch.
"These artists," said I, "are unaccountable, irresponsible. You
must----"
"Take it from whence it comes," said the insulted one, very loudly, and
bitterly glaring at his opponent. But the two artists were conversing
serenely. I felt the undignified quality of our conversation. "Have
you seen _Punch_?" said I, thrusting it into his hand.
He looked at the paper for a moment in a puzzled way; then understood,
thanked me, and began to read with a thunderous scowl, every now and
then shooting murderous glances at his antagonist in the opposite
corner, or coughing in an aggressive manner.
"You do your best," the gentleman with the long hair was saying; "and
they say, 'What is it for?' 'It is for itself,' you say. Like the
stars."
"But these people," said the stout gentleman, "think the stars were
made to set their clocks by. They lack the magnanimity to drop the
personal reference. A friend, a _confrère_, saw a party of these
horrible Extension people at Rome before that exquisite Venus of
Titian. 'And now, Mr Something-or-other,' said one of the young
ladies, addressing the pedagogue in command, 'what is _this_ to teach
us?'"
"I have had the same experience," said the young gentleman with the
hair. "A man sent to me only a week ago to ask what my sonnet 'The
Scarlet Thread' _meant_?"
The stout person shook his head as though such things passed all belief.
"Gur-r-r-r," said the gentleman with _Punch_, and scraped with his foot
on the floor of the carriage.
"I gave him answer," said the poet, "'Twas a sonnet; not a symbol."
"Precisely," said the stout gentleman.
"'Tis the fate of all art to be misunderstood. I am always grossly
misunderstood--by every one. They call me fantastic, whereas I am but
inevitably new; indecent, because I am unfettered by mere trivial
personal restrictions; unwholesome."
Public-domain text, read in full here on John Shaqi.
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