A comparison of the first draft of `Corn', as sent Judge Bleckley,
with the final form shows that Lanier made many minute changes in the poem,
especially in the earlier part. Still this earlier draft agrees substantially
with the later, and was so fine in conception and execution
as to call forth this commendation of Judge Bleckley, which,
despite the shortcomings of `Corn', may with greater justice be applied
to the poem in its present form: "As an artist you seem to be Italian
in the first two pictures, and Dutch or Flemish in the latter two.
In your Italian vein you paint with the utmost delicacy and finish.
The drawing is scrupulously correct and the color soft and harmonious.
When you paint in Dutch or Flemish you are clear and strong,
but sometimes hard. There is less idealization and more of
the realistic element -- your SOLIDS predominate over your fluids."
As already stated, Lanier has two other poems that indirectly treat the theme
of `Corn', namely, `Thar's More in the Man' and `Jones's Private Argyment'.
Moreover, he has `The Waving of the Corn', which, though charming,
is neither so elaborate nor artistic as `Corn'.
Among poems on corn by other writers may be mentioned the following:
1. Whittier's `The Corn-song' (before 1872), a poem of
praise and thanksgiving at the end of `The Huskers',
which tells of the gathering of the corn and of the "corn-husking",
known in the South as the "corn-shucking".
2. Woolson's (Constance F.) `Corn Fields', a description of Ohio fields,
in `Harper's Monthly', 45, 444, Aug., 1872.
3. Thompson's (Maurice) `Dropping Corn' (1877), a dainty love lyric,
in `Poems' (Boston, 1892), p. 78.
4. Cromwell's (S. C.) `Corn-shucking Song', a dialect poem,
in `Harper', 69, 807, Oct., 1884.
5. Coleman's (C. W.) `Corn', in `The Atlantic Monthly', 70, 228, Aug., 1892,
which, since it consists of but four lines and is more like Lanier's poem
than are the others, may be quoted:
"Drawn up in serried ranks across the fields
That, as we gaze, seem ever to increase,
With tasseled flags and sun-emblazoned shields,
The glorious army of earth's perfect peace."
6. Hayne's (W. H.) `Amid the Corn', a charming account of the denizens
of the corn-fields, in his `Sylvan Lyrics' (New York, 1893), p. 12.
7. Dumas's (W. T.) `Corn-shucking' and `The Last Ear of Corn',
both life-like pictures of plantation life, in his
`The Golden Day and Miscellaneous Poems' (Phila., 1893).
Other interesting articles are: `Mondamin, or the Origin of Indian Corn',
in `The Southern Literary Messenger' (Richmond, Va.), 29, 12-13, July, 1859;
`A Georgia Corn-shucking', by D. C. Barrow, Jr., in `The Century Magazine'
(New York), 2, 873-878, Oct., 1882; and `Old American Customs: A Corn-party',
an account of a corn-husking in New York, in `The Saturday Review' (London),
66, 237-238, Aug. 25, 1888.
4-9. See `Introduction', p. xxxii [Part III], and compare `The Symphony',
ll. 183-190.
Public-domain text, read in full here on John Shaqi.
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