And then the hautboy played and smiled,
And sang like any large-eyed child,
Cool-hearted and all undefiled.
"Huge Trade!" he said,
"Would thou wouldst lift me on thy head
And run where'er my finger led! [331]
Once said a Man -- and wise was He --
`Never shalt thou the heavens see,
Save as a little child thou be.'"
Then o'er sea-lashings of commingling tunes
The ancient wise bassoons,
Like weird
Gray-beard
Old harpers sitting on the high sea-dunes,
Chanted runes:
"Bright-waved gain, gray-waved loss, [341]
The sea of all doth lash and toss,
One wave forward and one across:
But now 'twas trough, now 'tis crest,
And worst doth foam and flash to best,
And curst to blest.
"Life! Life! thou sea-fugue, writ from east to west,
Love, Love alone can pore
On thy dissolving score
Of harsh half-phrasings,
Blotted ere writ, [351]
And double erasings
Of chords most fit.
Yea, Love, sole music-master blest,
May read thy weltering palimpsest.
To follow Time's dying melodies through,
And never to lose the old in the new,
And ever to solve the discords true --
Love alone can do.
And ever Love hears the poor-folks' crying,
And ever Love hears the women's sighing, [361]
And ever sweet knighthood's death-defying,
And ever wise childhood's deep implying,
But never a trader's glozing and lying.
"And yet shall Love himself be heard,
Though long deferred, though long deferred:
O'er the modern waste a dove hath whirred:
Music is Love in search of a word."
____
Baltimore, 1875.
Notes: The Symphony
Public-domain text, read in full here on John Shaqi.
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