author and hard student in "the gentleman who sometimes writes for
his amusement." He writes always with a crow-quill, speaks slowly and
sententiously, and shuns the crew of dissonant college revellers, who
call him "a prig," and seek to annoy him. Long mornings of study, and
nights feverish from ill-health, are spent in those chambers; he is
often listless and in low spirits; yet his natural temper is not
desponding, and he delights in employment. He has always something to
learn or to communicate--some sally of humour or quiet stroke of
satire for his friends and correspondents--some note on natural
history to enter in his journal--some passage of Plato to unfold and
illustrate--some golden thought of classic inspiration to inlay on
his page--some bold image to tone down--some verse to retouch and
harmonize. His life is on the whole innocent and happy, and a feeling
of thankfulness to the Great Giver is breathed over all.
[Footnote 1: A claim has been put up for the churchyard of
Granchester, about two miles from Cambridge, the great bell of St.
Mary's serving for the "curfew." But Stoke-Pogis is more likely to
have been the spot, if any individual locality were indicated. The
poet often visited the village, his aunt and mother residing there,
and his aunt was interred in the churchyard of the place. Gray's
epitaph on his mother is characterized not only by the tenderness
with which he always regarded her memory, but by his style and cast
of thought. It runs thus: "Beside her friend and sister here sleep
the remains of Dorothy Gray, widow, the careful, tender mother of
many children, one of whom alone had the misfortune to survive her.
She died March 11, 1753, aged 72." She had lived to read the _Elegy_,
which was perhaps an ample recompense for her maternal cares and
affection. Mrs. Gray's will commences in a similar touching strain:
"In the name of God, amen. This is the last will and desire of
Dorothy Gray to her son Thomas Gray." [Cunningham's edit. of
_Johnson's Lives_.] They were all in all to each other. The father's
cruelty and neglect, their straitened circumstances, the sacrifices
made by the mother to maintain her son at the university, her pride
in the talents and conduct of that son, and the increasing gratitude
and affection of the latter, nursed in his scholastic and cloistered
solitude--these form an affecting but noble record in the history of
genius.
Public-domain text, read in full here on John Shaqi.
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