When I first came home, it was with great pleasure I gratified the curiosity of the whole world, by shewing them each what they fancied the most curious. I thought this was an office of humanity to young people, and to those of slender fortunes, or those who, from other causes, had no opportunity of travelling. I made it a particular duty to attend and explain to men of knowledge and learning that were foreigners, everything that was worth the time they bestowed upon considering the different articles that were new to them, and this I did at great length to the Count de Buffon, and Mons. Gueneau de Montbeliard, and to the very amiable and accomplished Madame d’Aubenton. I cannot say by whose industry, but it was in consequence of this friendly communication, a list or inventory (for they could give no more) of all my birds and beasts were published before I was well got to England. From what I have seen of the performances of the artists employed by the cabinet, I do not think that they have anticipated in any shape the merit of my drawings, especially in birds and in plants; to say nothing milder of them, they are in both articles infamous; the birds are so dissimilar from the truth, that the names of them are very necessarily wrote under, or over them, for fear of the old mistake of taking them for something else. I condescend upon the Erkoom as a proof of this. I gave a very fine specimen of this bird in great preservation to the King’s collection; and though I shewed them the original, they had not genius enough to make a representation that could with any degree of certainty be promised upon for a guess. When I was at Paris, they had a woman, who, in place of any merit, at least that I could judge of, was protected, as they said, by the queen, and who made, what she called, Drawings; those of plants were so little characteristic, that it was, strictly speaking, impossible, without a very great consideration, to know one plant from another: while there was, at same time, a man of the greatest merit, M. de Seve, absolutely without employment; tho’, in my opinion, he was the best painter of every part of natural history either in France or England. [Illustration: _Kuara_ _London Published Dec.^r 1.^{st} 1789 by G. Robinson & Co._] KUARA. This beautiful tree, now presented to the reader, is the production of the south and S. W. parts of Abyssinia. It is very frequent, and, with the ebony, almost the only wood of the province of Kuara, of which it bears the name; indeed in all Fazuclo, Nuba, and Guba, and the countries where there is gold. It is here designed in its natural size both leaves, flowers, and fruit, the whole so plainly, that it is needless to descant upon its particular parts, well known to naturalists. It is what they call a Corallodendron, probably from the colour of its flowers or of its fruit, both equal in colour to coral.