and then fly home to their proper business with something worth the
getting. So a student who takes his work in real earnest will pay no
regard to dainty flowery words nor to showy [Sidenote: 42] theatrical
matter. These he will consider as fodder for drones who play the
sophist. For his own part he will probe with keen attention into the
sense of a speech and the quality of the speaker. Therefrom he will suck
such part as will be of service and profit. He will remember that he has
not come to a theatre or concert-hall, but to a classroom in the
schools, and that his object is to get his life corrected by means of
reason. Hence he should form a critical judgement of the lecture from
his own case, that is to say, from a calculation of its effect upon
himself. Has it been the chastening of a passion, the lightening
[Sidenote: B] of a grief? Has it been courage, firmness of spirit,
enthusiasm for excellence and virtue? Upon rising from the barber’s
chair he will stand at the glass and put his hands to his head,
inspecting the trim and arrangement of the hair. No less should he,
immediately on leaving a lecture in the philosophic school, look at
himself and examine his own mind, to see if it has got rid of any
useless and uncomfortable growth and become lighter and more at ease.
‘There is no use’, says Aristo, ‘in either a bath or a speech, unless it
cleanses.’
[Sidenote: C] By all means let a young man, while profiting from a
discourse, find pleasure in the process. But he must not treat the
pleasure of the lecture as its end, nor expect to come out of the
philosopher’s school with a beaming face and humming a tune. He must not
ask for scented unguents when what he needs is a lotion or a poultice.
On the contrary, he should be grateful if a pungent argument acts upon
his mind like smoke upon a hive, and clears out all the darkness and
mistiness that fill it. Though it is quite right for a speaker not to be
altogether without concern for an attractive and persuasive style of
language, that should be a matter least regarded by the young student,
at any rate in the first instance. Later, no doubt, the case may be
[Sidenote: D] different. It is when they are no longer thirsty that
persons engaged in drinking will turn a cup about and inspect the
chasing upon it. Similarly during a breathing-time, after taking our
fill of the lesson, we may be permitted to examine any uncommon elegance
in the language. But if from the very first, instead of taking a grip
upon the substance, you insist upon ‘good pure Attic’ expression, you
are like a person who refuses to take an antidote unless the vessel is
made of the best Attic earthenware; or who declines to put on a thick
cloak in winter unless the wool is from Attic sheep, preferring to sit,
stubborn and impracticable, in the thin napless mantle of the ‘style of
Lysias’. Perversities of this kind are responsible for a plentiful
[Sidenote: E] lack of good sense and an abundance of loquacious claptrap
Public-domain text, read in full here on John Shaqi.
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