and this negative class of praise requires to be countered with some craftiness. The way to confute it is by deliberately offering counsel and suggestion which are nonsensical, and making corrections [Sidenote: B] which are absurd. If your man objects to nothing, says ‘Yes’ to everything, and exclaims ‘Good!’ ‘Capital!’ at every item, he exposes himself as one who _The watchword asks, while other are his aims_, —those aims being to encourage your self-conceit with his laudations. Take another case. Painting has been styled ‘silent poetry’. So there is a way of praising by silent flattery. The sportsman’s purpose is better concealed from the game when he pretends to be upon other business—walking, tending cattle, or tilling the soil. In the same way a toady drives home his eulogies most effectively when the eulogy is disguised under some different form of action. It may be by giving up his seat, or his place [Sidenote: C] at table, when you appear upon the scene. Or if he is addressing the Assembly or Council, and notices that some wealthy man desires to speak, he may stop his speech and yield him the platform. His silence indicates more clearly than the loudest acclamation that he regards the person in question as a better man and his intellectual superior. Such persons may therefore be seen taking possession of the front seats at an entertainment or in the meeting-hall, not because they claim any right to them, but in order that they may play the toady by giving up their places to rich people. Or you may see them begin the discussion at a congress or a board-meeting, and subsequently give way to ‘superior argument’ and shift round with the [Sidenote: D] greatest readiness to the opposite view, if their opponent is a person of influence, wealth, or note. The clearest exposure of such complaisances and concessions is to be sought in the fact that it is not to knowledge or high abilities or age that the deference is paid, but to riches and reputations. When Megabyzus took a seat at Apelles’ side and wanted to prate to him about ‘line’ and ‘shading’, the painter remarked, ‘Do you see those boys yonder grinding my mixing-earth? When you were silent, they were all eyes of admiration for your purple and your jewels. But now that you have begun to talk about things [Sidenote: E] you do not understand, they are laughing at you.’ Similarly Solon, when Croesus questioned him about ‘happiness’, declared that Tellus, an Athenian of humble rank, as well as Cleobis and Biton, were more favoured by fortune. A flatterer, on the contrary, not only avers that a king, a rich man, or a man in power, is prosperous and fortunate; he also declares that he is pre-eminent in wisdom, art, and every form of excellence. Hence while there are persons who have no patience to listen when the Stoics describe the sage as at the same time ‘rich, beautiful, noble, and king’, a toady will make out that the rich