With the flatterer it is different. In the first place, when he displays
sharpness or heat or inflexibility, it is in dealing with others than
yourself. He is severe upon his own servants; he is terribly hard upon
the misdeeds of his own relations; he shows no admiration or respect for
a stranger, but treats [Sidenote: E] him with contempt; his scandalizing
is merciless when exacerbating other people. His object is to make it
appear that he detests low practices, and that he would not consent to
abate a jot of his candour in your behalf, or to do or say anything to
curry favour. In the next place, when there is something really and
seriously wrong, he pretends to be completely ignorant and unconscious
of it, while he will pounce upon some little immaterial shortcoming and
take it rigorously and vehemently to task—if, for instance, he sees an
implement carelessly placed, or a fault of domestic management, or
negligence in the cut of your hair or the wearing of your clothes, or
lack of [Sidenote: F] proper attention to a dog or a horse. But should
you slight your parents, neglect your children, humiliate your wife,
despise your relatives, and waste your money, it becomes no business of
his. In such circumstances not a word does he venture to utter, but he
is like a trainer who permits an athlete to get drunk and dissipated,
while he is severe upon him in the matter of an oil-flask or a
scraping-iron; or like a grammar-master who scolds a boy for the state
of his slate and pencil, but pretends not to hear his slips of grammar
and expression. The toady is the kind of man who, in dealing with a
ridiculously incompetent public speaker, has nothing to say about his
matter, but finds fault with his voice-production, and blames him
severely for spoiling [Sidenote: 60] his larynx by drinking cold drinks;
or who, when requested to peruse some miserable composition, finds fault
with the roughness of the paper and calls the copyist a slovenly wretch.
It was so in the case of Ptolemy, when he made pretence to literary
tastes. They would fight with him about some out-of-the-way word or bit
of a verse or point of information, and would keep it up till midnight.
But to his indulgence in cruelty and outrage, to his tambourine-playing
and initiating, not one of [Sidenote: B] all their number offered any
opposition. Imagine a man suffering with tumours and abscesses, and some
one taking a surgeon’s knife and cutting—his hair or his nails! That is
what the flatterer does. He employs his candour upon those parts which
feel no pain or soreness.
Public-domain text, read in full here on John Shaqi.
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