The text is corrupt, but probably contained ὁμίχλην. Cp. Plato,
_Sympos._ 736 A.
Footnote 190:
_Theogon._ 117.
Footnote 191:
Fr. 371.
Footnote 192:
_Meteor._ 1, 3, 340 b 29.
Footnote 193:
_Cyclops_, I. 332-3 (Shelley’s tr.).
Footnote 194:
_Phaedo_, 97 C.
Footnote 195:
1, 25, where the work is ascribed to Glaucus.
Footnote 196:
_Od._ 9, 393.
Footnote 197:
_Rep._ 6, 18, 507 C.
Footnote 198:
Cp. Plato, _Laws_, 716 E.
ON THE INSTANCES OF DELAY
IN DIVINE PUNISHMENT
INTRODUCTION
The Dialogue on _Delay in Divine Punishment_ stands somewhat apart from
the others. It deals gravely with grave matters, the ways of Providence
with man, and the ‘last things’. The method is ingenious and
satisfactory. An Epicurean, after scoffing at Providence in a manner
which deeply offends the company, leaves them abruptly. We are reminded
of the departure of the Cynic Didymus at Delphi (p. 124), and of the
immortal episode of Thrasymachus in the First Book of the _Republic_ of
Plato. The small family party which remains, Plutarch, his brother
Timon, his son-in-law Patrocleas, and an intimate friend Olympicus, take
up the points suggested by the attack, not contentiously, or in the
language of the Schools, but with a view to ascertain whether there is
anything in them which concerns reasonable men. The friends successively
raise these points: the slowness of the Gods in punishing, and their
purposes in the delay; the justice of visiting the sins of parents upon
children, or of a city upon a new generation of citizens; the
persistence of the soul after physical death here. In all cases it is
Plutarch who supplies the answer, whereas, in the other long Dialogues,
there is some distribution of parts and an interplay of character. In
the tone of the dissertations, which is sustained, and little relieved
by humour, the piece most nearly resembles the essay _On Superstition_.
Plutarch’s argument is marked by truly academic caution, and an
admission of man’s ignorance and limitations, which might have come from
the pen of Bishop Butler.
Public-domain text, read in full here on John Shaqi.
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