Selected etchings by Piranesi, series 1. — John Shaqi
Selected etchings by Piranesi, series 1.
History
Selected etchings by Piranesi, series 1.
Etching, Italian; Piranesi, Giovanni Battista, 1720-1778
This new volume, which makes its first appearance in 1914, will take
its place henceforth as a work of reference for everyone connected
with architecture and building. Perhaps its greatest attraction lies
in the fact that it occupies a sort of midway position between the
biography and the directory, possessing all the personal interest of
the one and all the detailed information of the other. The societies
have their list of members, and the directories give, more or less
correctly, the names and addresses of architects in practice, but the
information thus presented is of the baldest description, and quite
devoid of all personal attraction. “WHO’S WHO IN ARCHITECTURE” is of
far greater interest and value. It gives a succinct account of all
the most notable men in the profession--their training, achievements,
etc.--and not only of the leading men, but also of the many architects
who have done important work without having had the attention of the
profession directed to it. The book also gives addresses, etc., and as
the list of architects is a thoroughly comprehensive one, “WHO’S WHO IN
ARCHITECTURE” thus fulfils a dual purpose as--
(1) A personal record of members of the profession, and
(2) A list of architects practising in the United Kingdom.
Hence it is a volume which every architect needs to have on his shelf.
One Volume. PRICE =10s. 6d.= NETT.
_Some Famous Buildings and their Story._
BY A. W. CLAPHAM, F.S.A., AND W. H. GODFREY.
Buildings that have been the scene of historical events, or have played
a distinctive part in the development of national life, are commonly
dealt with either at length in a most unattractive style, or dismissed
in a few sentences embodying dates and particulars which are frequently
inaccurate. Thus, the general reader finds himself confronted with
two extremes, alike unsatisfactory. It was with the express object of
correcting these deficiencies in respect of certain famous buildings
that the authors compiled the series of short papers which constitute
the volume under notice. They have been at great pains in their task,
and, as the result of much original research, a flood of fresh light
is thrown upon the subjects dealt with, every chapter adding some
new fact to previous knowledge, or reproducing some hitherto unknown
or neglected plan. In this way we have set before us, by means of
description and illustration, the most remarkable of all Henry VIII.’s
palaces--Nonsuch, in Surrey, whose wanton destruction was probably
the heaviest loss which English architecture has suffered since the
Dissolution of the Monasteries.
Public-domain text, read in full here on John Shaqi.
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