[Illustration: Plate 27: View of the Churches of the Madonna di Loreto and Santa Maria, by Trajan’s Column, Rome.] [Illustration: Plate 28: Piazza of St. Peter’s, Rome.] [Illustration: Plate 29: Antique Equestrian Statues (Castor and Pollux) on the Quirinal, Rome.] [Illustration: Plate 30: The Quirinal, Rome.] [Illustration: Plate 31: Etching from the Series of Imaginary Roman Prisons.] [Illustration: Plate 32: Etching from the Series of Imaginary Roman Prisons.] [Illustration: Plate 33: Vase from the “Vasi Candelabri.”] [Illustration: Plate 34: Vase from the “Vasi Candelabri.”] [Illustration: Plate 35: Vase from the “Vasi Candelabri.”] [Illustration: Plate 36: Vase from the “Vasi Candelabri.”] [Illustration: Plate 37: Vase and Tripod from the “Vasi Candelabri.”] [Illustration: Plate 38: Vase and Pedestal from the “Vasi Candelabri.”] [Illustration: Plate 39: Tripod from the “Vasi Candelabri.”] [Illustration: Plate 40: Tripod and bas-relief from the “Vasi Candelabri etc.”] [Illustration: Plate 41: Tripod from the “Vasi Candelabri.”] [Illustration: Plate 42: Lamp from the “Vasi Candelabri.”] [Illustration: Plate 43: Vases from the “Vasi Candelabri.”] [Illustration: Plate 44: Altar from the “Vasi Candelabri.”] [Illustration: Plate 45: Design for Chimneypiece and Grate from the “Diverse Maniere.”] [Illustration: Plate 46: Design for Chimneypiece from the “Diverse Maniere.”] [Illustration: Plate 47: Design for Chimneypiece from the “Diverse Maniere.”] [Illustration: Plate 48: Design for Chimneypiece from the “Diverse Maniere.”] [Illustration: Plate 49: Design for Chimneypiece from the “Diverse Maniere.”] [Illustration: Plate 50: Design for Chimneypiece and Clock from the “Diverse Maniere.”] SOME INTERESTING PUBLICATIONS ISSUED BY TECHNICAL JOURNALS, LTD. CAXTON HOUSE, WESTMINSTER, LONDON TECHNICAL JOURNALS, LTD. _Publishers’ Note._ In presenting this list the Publishers would draw attention to the distinctive character of the works which are described. These cover a wide field, being of interest not only to those who are professionally concerned with architecture and building, but also to those who have a general non-technical interest in such subjects. Thus, the volume giving an illustrated historical survey of Mediæval and Renaissance architecture in England, and the volumes dealing with English domestic and ecclesiastical architecture, garden city houses, and domestic interior details, appeal alike to the educated layman and to the architect in practice.