And as there was no confusion in the thought, so the style of Edwards's sermons is singularly clear, simple and unstudied. He affects no graces, seeks no adornments, which the subject-matter itself and his interest in it do not naturally lend. "The style is the man" is a saying which peculiarly applies to him. The nobility, strength and directness of his thought, the vividness and largeness of his imagination, the truthfulness and elevation of his character, the intensity of his convictions, his impassioned earnestness are reflected in his discourses. They seem to have been to an unusual degree a spontaneous form of self-expression. But attention is never diverted from the subject to the skill of the workmanship. The object is not to delight, but to convince, and the attainment of this end is sought by direct methods of argument, persuasion and appeal. Yet the style, though simple and straightforward, is very far from being barren. The sermons are full of great, rich, beautiful words; and there are many passages in them of wonderful charm as well as many of great sublimity and rhetorical power. But Edwards's interest in these seems never merely verbal. He is not a maker of phrases. He makes use of striking metaphor and startling antithesis, his style is often picturesque, he well knows the rhetorical value of iteration, when the repeated phrase is employed in a varied context; but he never seeks to produce his effects by literary indirection. He can be easy, familiar, colloquial even, on occasion, if that suits his purpose; but he is never undignified, never vulgarly sensational, nor does he seem ever to be intentionally humorous. The construction of his sentences is often such as the pedantry of modern standards would condemn; but however old-fashioned, it is seldom indeed that the expression can be called whimsical or quaint. The most determining external influence on his style was unquestionably the old, so-called King James version of the English Bible. His language is saturated with its thought and phraseology. And as he is intimately acquainted with it in all its parts, so he is continually quoting it and constantly surprising us with fresh discoveries, in novel collocations, of its variety, beauty and impressiveness. He was influenced also doubtless by his too exclusively theological and philosophical reading. But it is, in the end, the originality of his own genius, the depth and subtlety and force of his mind and the richness of his spiritual experiences, which we must regard as setting the stamp upon his style. Edwards's sermons are hall-marked: they have not only interest as historical memorials of the religious conditions of their time; as the personal expressions of an original mind, working in traditional material, indeed, but animating and so refashioning it with the unique form of a great personality, they have also the value of literature.