If you wish to know how far they are obsessed by this notion, go pick yourself a quiet corner in some café where light literature readers meet to make comparisons, and listen to the comments. Before very long, voices will be getting loud about some character at present stalking across the pages of the magazines, or bestirring itself among the latest ton of novel; and the dispute will be, "Does such a type exist?"--"Of course he exists,"--"He does not exist,"--"He must exist,"--"He cannot exist,"--"Under such conditions,"--"There are no such conditions,"--"But be reasonable: you have not been in all places, and you cannot say there may not be such conditions; supposing--" "All right: I will give you the conditions; all the same, no man would act so under any conditions." "I swear L have seen such men--" "Impossible--" "What is there impossible about it?--" And the voices get louder and louder, as the disputants proceed to pick the character to pieces, speech by speech, and action by action, till, nothing being left, each finally subsides somehow, each confirmed in his own opinion, each convinced that the main purpose of literature--Realism--has either been served, or not served, by the author under discussion. To such disputants "Literature the Mirror of Man," means that only such literature as gives so-called absolutely faithful representations of life as it is demonstrably lived, is a genuine Mirror. No author is to be considered worthy of a place, unless his works can be at least twisted to fit this conception. With some slight refinement of idea, in so far as it recognizes the obscurer recesses of the mind as entitled to representation as well as the externals, it corresponds to the one-time development of portrait painting, which esteemed it necessary to paint the exact number of hairs in the wart on Oliver Cromwell's nose, in order to have a true likeness of him. As before suggested, I do not, when I speak of Literature as the Mirror of Man, have any such 12x18 mirror in view; nor the limitation of literature to any one form of it, to any one age of it, to any set of standard names; nor the limitation of Man to any preconceived notion of just what he may logically be allowed to be. The composite image we are seeking to find is an image wrought as much of his dreams of what he would like to be, as of his actual being; that is no true picture of Man, which does not include his cravings for the impossible, as well as his daily performance of the possible. Indeed, the logical, calculable man, the man who under certain circumstances may be figured out to turn murderer and under others saint, is hardly so interesting as the illogical being who upsets the calculation by becoming neither, but something not at all predictable. The objects of my lecture then are these: 1. To insist on a wider view of literature itself than that generally accepted.