Those who perceive colors accompanying sounds, sense clean cut lights streaking the night-ground of these early word-pictures; sharp, hard, reds and yellows. It is our later world which has produced green tintings not to be told from gray, nor gray from blue, nor anything from anything. In our fondness for smoothness and gradation we have attained practical colorlessness. If it appears to you that I am talking nonsense, permit me to tell you it is because you have dulled your own powers of perception; in seeking to become too intellectually appreciative, you have lost the power to feel primitive things. Try to recover it. Another source of interesting observation, especially in English literature of early writing: this time the eye. It is admitted by everybody that as a serviceable instrument for expressing definite sounds in an expeditious and comprehensible manner, English written language is a woeful failure. If any inventor of a theory of symbols should, would, or could have devised such a ridiculous conception of spelling, such a hodge-podge of contradictory jumbles, he would properly have been adjudged to an insane asylum; and that, every man who ever contrived an English spelling-book, and every teacher who is obliged to worry this incongruous mess through the steadily revolting reason-and-memory process of children, is ably convinced. But Man, English-speaking Man, has actually--_executed_ such conception; (he probably executed it first and conceived it afterward, as most of our poor victims do when they start on that terrible blind road through the spelling-book). Whether or no, the thing is here, and we've all to accept it, and deal with it as best we may, sadly hoping that possibly the tenth generation from now may at least be rid of a few unnecessary "e's."