I expected ease to come into the woman's drawn face, and relaxation to
her stooping figure. But something else came upon both, something quite
unwonted and inexplicable; a wandering look in the eyes, a stupid drop
to the mouth, an uncertainty in her walk, as of one who is half minded
to go back and look for something. There was, too, an irritating
irregularity in the performance of her work, which began to be annoying.
At last, on that October day, this new unreliability reached the limit
of provocation. I was leaving the city; I needed my laundry, needed it
at once; and here it was four o'clock in the afternoon, the train due at
night, and packing impossible till the wash came. It was five days
overdue.
The wind was howling furiously, the rain driving in sheets, but there
was no alternative; I must get to the "End of the Alley" and back,
somehow.
The gray, rain-drenched atmosphere was still grayer in the
alley,--still, still grayer at the end. And what with the gray of it and
the rain of it, I could scarcely see the thing that sat facing me when I
opened the door,--a sort of human blur, hunched in a rocking-chair, its
head sunken on its breast.
In response to my startled exclamation, the face was lifted vacantly for
a second, and then dropped again. But I had seen: drunk, dead drunk!
And this woman had never drunk.
I looked around the wretched room. By the window, where the gray light
trailed in, stood a table covered with unwashed dishes; some late flies
were crawling in the gutters of slop, besotted derelicts of insects,
stupidly staggering up and down the cracked china. On the stove stood a
number of flat-irons, but there was no fire. A mass of unironed clothes
lay on an old couch and over the backs of two unoccupied chairs. On the
wall above the couch, hung the portrait of the dead man.
I walked to the slumping figure in the rocker, and with ill-contained
brutality demanded: "So this is why you did not bring my clothes! Where
are they?"
I heard my own voice cutting like the edge of a knife, and felt
half-ashamed when that weak, shaking thing lifted up its foolish face,
and stared at me with watery, uncomprehending eyes.
"My clothes," I reiterated; "are they here or upstairs?"
"Guess-s-so," stammered the uncertain voice, "g-guess so."
"Nothing for it but to find them myself," I muttered, beginning the
search through the pile on the couch. Nothing of mine there, so I needs
must climb to the Golgotha on the second floor, from which the Cross had
disappeared, but which still bore traces of its victim's long
crucifixion,--a pair of old bed-slippers still by the window, a
sleeping-cap on the wall. Some cannot but leave so the things that have
touched their dead.
Public-domain text, read in full here on John Shaqi.
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