Everywhere in the shells of dead societies, as in the shells of the sea-slime, we shall see the force of purposive action, of intent _within_ holding its purpose against obstacles _without_. I think there is no one in the world who can look upon the steadfast, far-staring face of an Egyptian carving, or read a description of Egypt's monuments, or gaze upon the mummied clay of its old dead men, without feeling that the dominant idea of that people in that age was to be enduring and to work enduring things, with the immobility of their great still sky upon them and the stare of the desert in them. One must feel that whatever other ideas animated them, and expressed themselves in their lives, this was the dominant idea. _That which was_ must remain, no matter at what cost, even if it were to break the everlasting hills: an idea which made the live humanity beneath it, born and nurtured in the coffins of caste, groan and writhe and gnaw its bandages, till in the fullness of time it passed away: and still the granite mould of it stares with empty eyes out across the world, the stern old memory of the _Thing-that-was_. I think no one can look upon the marbles wherein Greek genius wrought the figuring of its soul, without feeling an apprehension that the things are going to leap and fly; that in a moment one is like to be set upon by heroes with spears in their hands, by serpents that will coil around him; to be trodden by horses that may trample and flee; to be smitten by these gods that have as little of the idea of stone in them as a dragon-fly, one instant poised upon a wind-swayed petal edge. I think no one can look upon them without realizing at once that those figures came out of the boil of life; they seem like rising bubbles about to float into the air, but beneath them other bubbles rising, and others, and others,--there will be no end of it. When one's eyes are upon one group, one feels that behind one, perhaps, a figure is uptoeing to seize the darts of the air and hurl them on one's head; one must keep whirling to face the miracle that appears about to be wrought--stone leaping! And this though nearly every one is minus some of the glory the old Greek wrought into it so long ago; even the broken stumps of arms and legs live. And the dominant idea is Activity, and the beauty and strength of it. Change, swift, ever-circling Change! The making of things and the casting of them away, as children cast away their toys, not interested that these shall endure, so that they themselves realize incessant activity. Full of creative power, what matter if the creature perished. So there was an endless procession of changing shapes in their schools, their philosophies, their dramas, their poems, till at last it wore itself to death. And the marvel passed away from the world. But still their marbles live to show what manner of thoughts dominated them.