And certainly the presence of things in abundance, things empty and things vulgar and things absurd, as well as things convenient and useful, has produced the desire for the possession of things, the exaltation of the possession of things. Go through the business street of any city, where the tilted edges of the strata of things are exposed to gaze, and look at the faces of the people as they pass,--not at the hungry and smitten ones who fringe the sidewalks and plaint dolefully for alms, but at the crowd,--and see what idea is written on their faces. On those of the women, from the ladies of the horse-shows to the shop girls out of the factory, there is a sickening vanity, a consciousness of their clothes, as of some jackdaw in borrowed feathers. Look for the pride and glory of the free, strong, beautiful body, lithe-moving and powerful. You will not see it. You will see mincing steps, bodies tilted to show the cut of a skirt, simpering, smirking faces, with eyes cast about seeking admiration for the gigantic bow of ribbon in the overdressed hair. In the caustic words of an acquaintance, to whom I once said, as we walked, "Look at the amount of vanity on all these women's faces," "No: look at the little bit of womanhood showing out of all that vanity!" And on the faces of the men, coarseness! Coarse desires for coarse things, and lots of them: the stamp is set so unmistakably that "the wayfarer though a fool need not err therein." Even the frightful anxiety and restlessness begotten of the creation of all this, is less distasteful than the abominable expression of lust for the things created. Such is the dominant idea of the western world, at least in these our days. You may see it wherever you look, impressed plainly on things and on men; very likely, if you look in the glass, you will see it there. And if some archæologist of a long future shall some day unbury the bones of our civilization, where ashes or flood shall have entombed it, he will see this frightful idea stamped on the factory walls he shall uncover, with their rows and rows of square lightholes, their tons upon tons of toothed steel, grinning out of the skull of this our life; its acres of silk and velvet, its square miles of tinsel and shoddy. No glorious marbles of nymphs and fawns, whose dead images are yet so sweet that one might wish to kiss them still; no majestic figures of winged horses, with men's faces and lions' paws casting their colossal symbolism in a mighty spell forward upon Time, as those old stone chimeras of Babylon yet do; but meaningless iron giants, of wheels and teeth, whose secret is forgotten, but whose business was to grind men up, and spit them out as housefuls of woven stuffs, bazaars of trash, wherethrough other men might wade. The statues he shall find will bear no trace of mythic dream or mystic symbol; they will be statues of merchants and iron-masters and militiamen, in tailored coats and pantaloons and proper hats and shoes.