Selections from American poetry, with special reference to Poe, Longfellow, Lowell and Whittier
General
Selections from American poetry, with special reference to Poe, Longfellow, Lowell and Whittier
American poetry
Below in the noisy village
The flags were floating gay,
And shone on a thousand faces
The light of a holiday.
Swiftly the rival ploughmen
Turned the brown earth from their shares;
Here were the farmer's treasures,
There were the craftsman's wares.
Golden the good-wife's butter,
Ruby her currant-wine;
Grand were the strutting turkeys,
Fat were the beeves and swine.
Yellow and red were the apples,
And the ripe pears russet-brown,
And the peaches had stolen blushes
From the girls who shook them down.
And with blooms of hill and wildwood,
That shame the toil of art,
Mingled the gorgeous blossoms
Of the garden's tropic heart.
"What is it I see?" said Keezar:
"Am I here or am I there?
Is it a fete at Bingen?
Do I look on Frankfort fair?
"But where are the clowns and puppets,
And imps with horns and tail?
And where are the Rhenish flagons?
And where is the foaming ale?
"Strange things, I know, will happen,--
Strange things the Lord permits;
But that droughty folk should be dolly
Puzzles my poor old wits.
"Here are smiling manly faces,
And the maiden's step is gay;
Nor sad by thinking, nor mad by drinking,
Nor mopes, nor fools, are they.
"Here's pleasure without regretting,
And good without abuse,
The holiday and the bridal
Of beauty and of use.
"Here's a priest and there is a Quaker,
Do the cat and the dog agree?
Have they burned the stocks for oven-wood?
Have they cut down the gallows-tree?
"Would the old folk know their children?
Would they own the graceless town,
With never a ranter to worry
And never a witch to drown?"
Loud laughed the cobbler Keezar,
Laughed like a school-boy gay;
Tossing his arms above him,
The lapstone rolled away.
It rolled down the rugged hillside,
It spun like a wheel bewitched,
It plunged through the leaning willows,
And into the river pitched.
Public-domain text, read in full here on John Shaqi.
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