Selections from American poetry, with special reference to Poe, Longfellow, Lowell and Whittier
General
Selections from American poetry, with special reference to Poe, Longfellow, Lowell and Whittier
American poetry
There, in the deep, dark water,
The magic stone lies still,
Under the leaning willows
In the shadow of the hill.
But oft the idle fisher
Sits on the shadowy bank,
And his dreams make marvellous pictures
Where the wizard's lapstone sank.
And still, in the summer twilights.
When the river seems to run
Out from the inner glory,
Warm with the melted sun,
The weary mill-girl lingers
Beside the charmed stream,
And the sky and the golden water
Shape and color her dream.
Fair wave the sunset gardens,
The rosy signals fly;
Her homestead beckons from the cloud,
And love goes sailing by!
THE MAYFLOWERS
Sad Mayflower! watched by winter stars,
And nursed by winter gales,
With petals of the sleeted spars,
And leaves of frozen sails
What had she in those dreary hours,
Within her ice-rimmed bay,
In common with the wild-wood flowers,
The first sweet smiles of May?
Yet, "God be praised!" the Pilgrim said,
Who saw the blossoms peer
Above the brown leaves, dry anal dead
"Behold our Mayflower here!"
"God wills it: here our rest shall be
Our years of wandering o'er;
For us the Mayflower of the sea,
Shall spread her sails no more."
O sacred flowers of faith and hope,
As sweetly now as then
Ye bloom on many a birchen slope,
In many a pine-dark glen.
Behind the sea-wall's rugged length,
Unchanged, your, leaves unfold
Like love behind the manly strength
Of the brave hearts of old.
So live the fathers in their sons,
Their sturdy faith be ours,
And ours the love that overruns
Its rocky strength with flowers.
The Pilgrim's wild and wintry day
Its shadow round us draws;
The Mayflower of his stormy bay,
Our Freedom's struggling cause.
But warmer suns erelong shall bring
To life the frozen sod;
And, through dead leaves of hope, shall spring
Afresh the flowers of Cod!
RALPH WALDO EMERSON
GOOD-BYE
Public-domain text, read in full here on John Shaqi.
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