Selections from American poetry, with special reference to Poe, Longfellow, Lowell and Whittier
General
Selections from American poetry, with special reference to Poe, Longfellow, Lowell and Whittier
American poetry
With Oliver Wendell Holmes comes the last of this brief American list of
honor. No other American has so combined delicacy with the New England
humor. We should be poorer by many a smile without "My Aunt" and "The
Deacon's Masterpiece." But this is not his entire gift. "The Chambered
Nautilus" strikes the chord of noble sentiment sounded in the last stanza
of "Thanatopsis" and it will continue to sing in our hearts "As the swift
seasons roll." There is in his poems the smile and the sigh of the
well-loved stanza,
"And if I should live to be
The last leaf upon the tree
In the Spring.
Let them smile; as I do now;
As the old forsaken bough
Where I cling."
And is this all? Around these few names does all the fragrance of
American poetry hover? In the hurry, prosperity, and luxury of modern
life is the care if the flower of poetry lost? Surely not. The last
half of the nineteenth century and the beginning of the twentieth have
brought many beautiful flowers of poetry and hints of more perfect
blossoms. Lanier has sung of the life of the south he loved; Whitman and
Miller have stirred us with enthusiasm for the progress of the nation;
Field and Riley have made us laugh and cry in sympathy; Aldrich, Sill,
Van Dyke, Burroughs, and Thoreau have shared with us their hoard of
beauty. Among the present generation may there appear many men and women
whose devotion to the delicate flower shall be repaid by the gratitude of
posterity!
ANNE BRADSTREET
CONTEMPLATIONS
Some time now past in the Autumnal Tide,
When Phoebus wanted but one hour to bed,
The trees all richly clad, yet void of pride
Were gilded o'er by his rich golden head.
Their leaves and fruits, seem'd painted, but was true
Of green, of red, of yellow, mixed hue,
Rapt were my senses at this delectable view.
I wist not what to wish, yet sure, thought I,
If so much excellence abide below,
How excellent is He that dwells on high!
Whose power and beauty by his works we know;
Sure he is goodness, wisdom, glory, light,
That hath this underworld so richly dight:
More Heaven than Earth was here, no winter and no night.
Then on a stately oak I cast mine eye,
Whose ruffling top the clouds seem'd to aspire;
How long since thou wast in thine infancy?
Thy strength, and stature, more thy years admire;
Hath hundred winters past since thou wast born,
Or thousand since thou breakest thy shell of horn?
If so, all these as naught Eternity doth scorn.
Public-domain text, read in full here on John Shaqi.
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