#Metre:# Alliterative long line of loose construction mixed with rhymed syllabic verse. Occasionally four consonants alliterate, 2/6, 4/41, but usually three 2/5, 8, or two 2/4, 23. Crossed alliteration of consonants occurs at 2/16, 22, 27; 4/32, of consonant and vowels at 2/17; vowel alliteration at 4/37. At 2/4, read ⁊ lif ⁊ soule · him on ileide; at 3/11, bote come. The rhymes are sometimes perfect, as at 2/15, 25; 3/6, 8; 4/15, 27, 44, but assonances like lif : siþ 2/29; wif : siþ 3/43; dome : lore 4/29, and partial correspondences of sound like crefte : idihte 2/3; bedde : libbe 2/13; honden : wenden 3/38; modinesse : lufedæst 3/4; wæde : lufedest 3/9 are valid for this transitional verse. Sometimes alliteration and rhyme are combined, as at 2/3, 10 (read weopinde cumeþ), 3/4. Lines without either alliteration or rhyme must be regarded as corrupt. We may perhaps read semeþ for þuncheþ 3/39; riht ⁊ godnesse 3/3; beden þe fore 4/21: icwemen woldest for icwemdest ær 4/42. Compare the section on metre in the introduction to No. vi. #Introduction:# This poem, in which, after an introduction on the miseries of birth and death, a lost soul reproaches the body it has just left, represents the original type of one of the most popular subjects of the Middle Ages. The idea is ancient, for Kunze, p. 3, quotes a passage from a treatise ascribed to Plutarch, and Linow, p. 2, another from the Talmud, which contain it in the germ. But as it is used in Christian literature, it originated in Alexandria under the influence of Egyptian conceptions of death and the unseen world. In England before the Conquest it had inspired (1) the poem printed in Grein-Wülker, ii. 92-105 from the Exeter and Vercelli MSS., in which a lost soul speaks; (2) the fragment from the latter MS., in which a blessed soul consoles the waiting body, id. 105-7; (3) the homily printed in Ancient Laws and Institutes of England, ed. Thorpe, ii. 396-400 (8vo ed.); (4) the homily in Wulfstan, ed. Napier, 140, 1. Versions 3 and 4 are based on a Latin original represented by an eleventh-century text, which is printed by Batiouchkof in Romania, xx. 576-8, comp. Zupitza in Archiv, xci. 369. This Latin prose text professes to be the relation of a vision by a monk to Macarius of Alexandria (_d._ 393 A.D.), and it, according to Batiouchkof, is based on earlier Greek legends wherein Macarius is himself the dreamer. The homily (5) printed in Angelsächsische Homilien, ed. Assmann, Kassel, 1889, p. 167, and (6) that published by Zupitza, Archiv, xci. 379, are independent of the Latin original just mentioned, and they have been influenced by the Judgment Day literature. The former contains addresses of a lost and a saved soul to their respective bodies on the Judgment Day, the homily (6) has only the latter.