Yet there is reason to believe that the evidence upon which this
conclusion is founded is partial and one-sided. There was a wide gulf
between the Bedawee and the town Arab. It is not impossible that the
view commonly entertained as to the state of women in preïslamic times
is based mainly on what Moḥammad saw around him in Mekka, and not on
the ordinary life of the desert. To such a conjecture a curiously
uniform support is lent by the ancient poetry of the desert; and
though the poets were then—as they always are—men of finer mould than
the rest, yet their example, and still more their poems passing from
mouth to mouth, must have created a widespread belief in their
principles. It is certain that the roaming Bedawee, like the mediæval
knight, entertained a chivalrous reverence for women, although he,
too, like the knight, was not always above a career of promiscuous
gallantry; but there was always a certain glamour of romance about the
intrigues of the Bedawee. He did not regard the object of his love as
a chattel to be possessed, but as a divinity to be assiduously
worshipped. The poems are full of instances of the courtly respect
displayed by the heroes of the desert toward defenceless maidens, and
the mere existence of so general an ideal of conduct in the poems is a
strong argument for Arab chivalry: for with the Arabs the abyss
between the ideal accepted of the mind and the attaining thereof in
action was narrower than it is among ‘more advanced’ nations.
Whatever was the condition of women in the trading cities and
villages, it is certain that in the desert woman was regarded as she
has never since been among Muslims. The modern ḥareem system was there
as yet undreamt of; the maid of the desert was unfettered by the
ruinous restrictions of modern life in the East. She was free to
choose her own husband, and to bind him to have no other wife than
herself. She might receive male visitors, even strangers, without
suspicion: for her virtue was too dear to her and too well assured to
need the keeper. It was the bitterest taunt of all to say to a hostile
clan that their men had not the heart to give nor their women to deny;
for the chastity of the women of the clan was reckoned only next to
the valour and generosity of the men. In those days bastardy was an
indelible stain. It was the wife who inspired the hero to deeds of
glory, and it was her praise that he most valued when he returned
triumphant. The hero of desert song thought himself happy to die in
guarding some women from their pursuers. Wounded to the death,
´Antarah halted alone in a narrow pass, and bade the women press on to
a place of safety. Planting his spear in the ground, he supported
himself on his horse, so that when the pursuers came up they knew not
he was dead, and dared not approach within reach of his dreaded arm.
At length the horse moved, and the body fell to the ground, and the
enemies saw that it was but the corpse of the hero that had held the
pass.
Public-domain text, read in full here on John Shaqi.
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