Great Britain -- Social life and customs -- Fiction; Self-control -- Fiction; Women -- Fiction
Before she could finish and dispose of a picture, weeks must elapse for
which she could make no provision. To painting, therefore, she could not
have immediate recourse. But sketches in chalk could be finished with
expedition; the printseller might undertake the sale of them; and the
lowness of the price might invite purchasers. Could she but hope to
obtain a subsistence for her father, she would labour night and day,
deprive herself of recreation, of rest, even of daily food, rather than
wound his heart, by an acquaintance with poverty. 'And since his pride
is hurt by the labours of his child,' said she, 'even his pride shall be
sacred. He shall never know my labours.' And, so frail are even the
best, that an emotion of pride swelled the bosom of Laura at the thought
that the merit of her toils was enhanced by their secrecy.
The resolutions of Laura were ever the immediate prelude to action; and
here was no time for delay. She again looked mournfully upon her little
treasure, hopelessly re-examined the purse that contained it; again,
with dismay, remembered that it was her all; then, hastily putting it
into her pocket, she drew her portfolio towards her, and began to
prepare for the work with the hurry of one to whom every moment seems
precious. Invention was at present impossible; but she tried to
recollect one of her former designs, and busied herself in sketching it
till the hour of dinner arrived. She then went to summon her father from
his chamber to the eating-room. 'This day,' thought she, 'I must share
his precarious sustenance--another I shall be more provident. And is
this then, perhaps, our last social meal?' and she turned for a moment
from the door, to suppress the emotion that would have choked her
utterance. 'Come in, my dear,' cried Montreville, who had heard her
footstep; and Laura entered with a smile. She offered her arm to assist
him in descending to the parlour. 'Why will you always urge me to go
down stairs, Laura,' said he; 'you see I am unequal to the fatigue.' 'I
shall not urge you to-morrow,' answered Laura: and Montreville thought
the tears which stood in her eyes, were the consequence of the impatient
tone in which he had spoken.
Public-domain text, read in full here on John Shaqi.
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