Great Britain -- Social life and customs -- Fiction; Self-control -- Fiction; Women -- Fiction
Laura was not yet, however, destined to the hopeless task of combating
misplaced affection in entire seclusion. On the following morning she
found a stranger at the breakfast-table. He seemed a man of information
and accomplishments. An enthusiast in landscape, he was come to
prosecute his favourite study amidst the picturesque magnificence of
Highland scenery; and the appearance and manners of a gentleman,
furnished him with a sufficient introduction to Highland hospitality.
Relieved, by his presence, from the task of entertaining, Laura scarcely
listened to the conversation, till the stranger, having risen from
table, began to examine a picture which occupied a distinguished place
in Mrs Douglas's parlour. It was the work of Laura, who was no mean
proficient. She had early discovered what is called a genius for
painting; that is to say, she had exercised much of her native
invention, and habitual industry on the art. Captain Montreville added
to his personal instructions, every facility which it was in his power
to bestow. Even when her performances had little in them of wonderful
but their number, her acquaintance pronounced them wonderful; and they
obtained the more useful approbation of a neighbouring nobleman, who
invited her to use, as copies, any part of his excellent collection. Her
progress was now, indeed, marvellous to those who were new to the
effects of unremitting industry, guided by models of exquisite skill.
Having long and sedulously copied, from pieces of acknowledged merit,
she next attempted an original; and having, with great care composed,
and with incredible labour finished her design, she dedicated to Mrs
Douglas the first fruits of her improved talents, in the picture which
the stranger was now contemplating. Willing that her young friend should
reap advantage from the criticisms of a judicious artist, Mrs Douglas
encouraged him to speak freely of the beauties and defects of the piece.
After remarking that there was some skill in the composition, much
interest in the principal figure, and considerable freedom in the
touch, he added: 'If this be, as I suppose, the work of a young artist,
I shall not be surprised that he one day rise both to fame and fortune.'
Public-domain text, read in full here on John Shaqi.
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