Self Help; with Illustrations of Conduct and PerseveranceSmiles, Samuel
Philosophy
Self Help; with Illustrations of Conduct and Perseverance
Smiles, Samuel
Conduct of life
Whatever may have been the actual facts as to the origin of the invention
of the Stocking Loom, there can be no doubt as to the extraordinary
mechanical genius displayed by its inventor. That a clergyman living in
a remote village, whose life had for the most part been spent with books,
should contrive a machine of such delicate and complicated movements, and
at once advance the art of knitting from the tedious process of linking
threads in a chain of loops by three skewers in the fingers of a woman,
to the beautiful and rapid process of weaving by the stocking frame, was
indeed an astonishing achievement, which may be pronounced almost
unequalled in the history of mechanical invention. Lee’s merit was all
the greater, as the handicraft arts were then in their infancy, and
little attention had as yet been given to the contrivance of machinery
for the purposes of manufacture. He was under the necessity of
extemporising the parts of his machine as he best could, and adopting
various expedients to overcome difficulties as they arose. His tools
were imperfect, and his materials imperfect; and he had no skilled
workmen to assist him. According to tradition, the first frame he made
was a twelve gauge, without lead sinkers, and it was almost wholly of
wood; the needles being also stuck in bits of wood. One of Lee’s
principal difficulties consisted in the formation of the stitch, for want
of needle eyes; but this he eventually overcame by forming eyes to the
needles with a three-square file. {45} At length, one difficulty after
another was successfully overcome, and after three years’ labour the
machine was sufficiently complete to be fit for use. The quondam curate,
full of enthusiasm for his art, now began stocking weaving in the village
of Calverton, and he continued to work there for several years,
instructing his brother James and several of his relations in the
practice of the art.
Public-domain text, read in full here on John Shaqi.
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