Self-Raised; Or, From the DepthsSouthworth, Emma Dorothy Eliza Nevitte
General
Self-Raised; Or, From the Depths
Southworth, Emma Dorothy Eliza Nevitte
Fiction
She went into Queen Mary's rooms, and fell into a reverie over that
fatal bed-chamber, which remains to this day in the same condition
in which it was left by the hapless queen about three hundred years
ago. She saw the steep, dark, narrow, secret staircase, with its
opening concealed behind the tapestry, up which the assassins of
Rizzio had crept to their murderous work. She saw the little turret
closet in which the poor queen was at supper with her ladies when
the minstrel was surprised and massacred in her presence.
She went into the great picture gallery, where hung the portraits of
the Scottish kings--each mother's royal son painted with a large
curled proboscis--"a nose like a door-knocker," as someone described
it. With one exception--that of James IV., the hapless hero of
Flodden field. It was a full-length portrait, life-sized, and full
of fire. Claudia stood and gazed upon it with delight. She was
charmed by its beauty and by the lines that it brought distinctly to
her recollection. Whether this was really a faithful portrait of
King James or not, it certainly was an accurate likeness of the hero
described by the poet:
"The monarch's form was middle size;
For feat of strength or exercise
Shaped in proportion fair;
And hazel was his eagle eye,
And auburn of the darkest dye
His short curled beard and hair.
Light was his footstep in the dance
And firm his stirrup in the lists;
And oh! he had that merry glance
That seldom lady's heart resists."
Yes, there he stood before her, pictured to the very life; all
luminous with youth and love, chivalry and royalty; bending
graciously from the canvas, smiling upon the spectator, and seeming
about to step forward and take her hand.
Claudia turned away from this picture, feeling at the same moment
both pleased and saddened. She had spent three hours dreaming
amongst the ancient halls and bowers of Holyrood, and now she felt
that it was time for her to return to the hotel, especially as the
palace was beginning to be filled with the usual daily inflowing of
sight-seers, and she felt somewhat fatigued and worried by the
crowd.
So she went out and re-entered her cab, and was driven back to the
hotel. Here an unexpected misfortune awaited her. As she left the
cab she put her hand in her pocket to take out her purse and pay the
cabman.
It was gone!
She turned sick with apprehension, for the loss of this purse, which
contained all the money which she had brought with her, was, under
the circumstances, a serious calamity.
She hurried again into the cab and searched it thoroughly; but no
purse was to be found.
Then the truth burst upon her; she had been robbed of it by someone
in the crowd of visitors in Holyrood Palace; her pocket had probably
been picked while she stood in the picture gallery dreaming before
the portrait of King James. How she reproached herself for her
carelessness in taking so considerable an amount of money with her.
Public-domain text, read in full here on John Shaqi.
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