Sentimental Tommy: The Story of His BoyhoodBarrie, J. M. (James Matthew)
History
Sentimental Tommy: The Story of His Boyhood
Barrie, J. M. (James Matthew)
London (England) -- History -- 19th century -- Fiction
"Deary me, Esther, what with one thing and another, namely buying a
sofa, thirty shillings as I'm a sinner, I have forgot to tell you about
my second, and it's a girl this time, my man saying he would like a
change. We have christened her Elspeth after my grandmamma, and if my
auld granny's aye living, you can tell her that's her. My man is
terrible windy of his two beautiful children, but he says he would have
been the happiest gentleman in London though he had just had me, and
really his fondness for me, it cows, Esther, sitting aside me on the
bed, two pounds without the blankets, about the time Elspeth was born,
and feeding me with the fat of the land, namely, tapiocas and sherry
wine. Tell Aaron Latta that.
"I pity you from the bottom of my heart, Esther, for having to bide in
Thrums, but you have never seen no better, your man having neither the
siller nor the desire to take yon jaunts, and I'm thinking that is just
as well, for if you saw how the like of me lives it might disgust you
with your own bit house. I often laugh, Esther, to think that I was once
like you, and looked upon Thrums as a bonny place. How is the old hole?
My son makes grand sport of the onfortunate bairns as has to bide in
Thrums, and I see him doing it the now to his favorite companion, which
is a young gentleman of ladylike manners, as bides in our terrace. So no
more at present, for my man is sitting ganting for my society, and I
daresay yours is crying to you to darn his old socks. Mind and tell
Aaron Latta."
This letter was posted next day by Tommy, with the assistance of Shovel,
who seems to have been the young gentleman of ladylike manners referred
to in the text.
CHAPTER IV
THE END OF AN IDYLL
Tommy never saw Reddy again owing to a fright he got about this time,
for which she was really to blame, though a woman who lived in his house
was the instrument.
Public-domain text, read in full here on John Shaqi.
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