Septimius Felton, or, the Elixir of LifeHawthorne, Nathaniel
General
Septimius Felton, or, the Elixir of Life
Hawthorne, Nathaniel
United States -- Social life and customs -- Fiction
It was a very rusty old thing, not more than a foot in length, and half as
much in height and breadth; but most ponderously iron-bound, with bars,
and corners, and all sorts of fortification; looking very much like an
ancient alms-box, such as are to be seen in the older rural churches of
England, and which seem to intimate great distrust of those to whom the
funds are committed. Indeed, there might be a shrewd suspicion that some
ancient church beadle among Septimius's forefathers, when emigrating from
England, had taken the opportunity of bringing the poor-box along with
him. On looking close, too, there were rude embellishments on the lid and
sides of the box in long-rusted steel, designs such as the Middle Ages
were rich in; a representation of Adam and Eve, or of Satan and a soul,
nobody could tell which; but, at any rate, an illustration of great value
and interest. Septimius looked at this ugly, rusty, ponderous old box, so
worn and battered with time, and recollected with a scornful smile the
legends of which it was the object; all of which he despised and
discredited, just as much as he did that story in the "Arabian Nights,"
where a demon comes out of a copper vase, in a cloud of smoke that covers
the sea-shore; for he was singularly invulnerable to all modes of
superstition, all nonsense, except his own. But that one mode was ever in
full force and operation with him. He felt strongly convinced that inside
the old box was something that appertained to his destiny; the key that he
had taken from the dead man's breast, had that come down through time, and
across the sea, and had a man died to bring and deliver it to him, merely
for nothing? It could not be.
He looked at the old, rusty, elaborated lock of the little receptacle. It
was much flourished about with what was once polished steel; and
certainly, when thus polished, and the steel bright with which it was
hooped, defended, and inlaid, it must have been a thing fit to appear in
any cabinet; though now the oak was worm-eaten as an old coffin, and the
rust of the iron came off red on Septimius's fingers, after he had been
fumbling at it. He looked at the curious old silver key, too, and fancied
that he discovered in its elaborate handle some likeness to the ornaments
about the box; at any rate, this he determined was the key of fate, and he
was just applying it to the lock when somebody tapped familiarly at the
door, having opened the outer one, and stepped in with a manly stride.
Septimius, inwardly blaspheming, as secluded men are apt to do when any
interruption comes, and especially when it comes at some critical moment
of projection, left the box as yet unbroached, and said, "Come in."
Public-domain text, read in full here on John Shaqi.
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