France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
Seraphitus unfastened his pelisse lined with sable, threw it over him,
and fell asleep. The old servant stood for several minutes gazing with
loving eyes at the singular being before him, whose sex it would have
been difficult for any one at that moment to determine. Wrapped as he
was in a formless garment, which resembled equally a woman’s robe and a
man’s mantle, it was impossible not to fancy that the slender feet
which hung at the side of the couch were those of a woman, and equally
impossible not to note how the forehead and the outlines of the head
gave evidence of power brought to its highest pitch.
“She suffers, and she will not tell me,” thought the old man. “She is
dying, like a flower wilted by the burning sun.”
And the old man wept.
CHAPTER II. SERAPHITA
Later in the evening David re-entered the salon.
“I know who it is you have come to announce,” said Seraphita in a sleepy
voice. “Wilfrid may enter.”
Hearing these words a man suddenly presented himself, crossed the room
and sat down beside her.
“My dear Seraphita, are you ill?” he said. “You look paler than usual.”
She turned slowly towards him, tossing back her hair like a pretty woman
whose aching head leaves her no strength even for complaint.
“I was foolish enough to cross the fiord with Minna,” she said. “We
ascended the Falberg.”
“Do you mean to kill yourself?” he said with a lover’s terror.
“No, my good Wilfrid; I took the greatest care of your Minna.”
Wilfrid struck his hand violently on a table, rose hastily, and made
several steps towards the door with an exclamation full of pain; then he
returned and seemed about to remonstrate.
“Why this disturbance if you think me ill?” she said.
“Forgive me, have mercy!” he cried, kneeling beside her. “Speak to me
harshly if you will; exact all that the cruel fancies of a woman lead
you to imagine I least can bear; but oh, my beloved, do not doubt my
love. You take Minna like an axe to hew me down. Have mercy!”
“Why do you say these things, my friend, when you know that they are
useless?” she replied, with a look which grew in the end so soft that
Wilfrid ceased to behold her eyes, but saw in their place a fluid light,
the shimmer of which was like the last vibrations of an Italian song.
“Ah! no man dies of anguish!” he murmured.
“You are suffering?” she said in a voice whose intonations produced upon
his heart the same effect as that of her look. “Would I could help you!”
“Love me as I love you.”
“Poor Minna!” she replied.
“Why am I unarmed!” exclaimed Wilfrid, violently.
“You are out of temper,” said Seraphita, smiling. “Come, have I not
spoken to you like those Parisian women whose loves you tell of?”
Wilfrid sat down, crossed his arms, and looked gloomily at Seraphita. “I
forgive you,” he said; “for you know not what you do.”
“You mistake,” she replied; “every woman from the days of Eve does good
and evil knowingly.”
“I believe it,” he said.
Public-domain text, read in full here on John Shaqi.
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