France -- Social life and customs -- 19th century -- Fiction; French fiction -- Translations into English
As he spoke, he stretched forth his hand to take that of the young girl,
but she withdrew it, neither disdainfully nor in anger. Wilfrid rose
abruptly and walked to the window that she might not see the tears that
rose to his eyes.
“Why do you weep?” she said. “You are not a child, Wilfrid. Come back to
me. I wish it. You are annoyed if I show just displeasure. You see that
I am fatigued and ill, yet you force me to think and speak, and listen
to persuasions and ideas that weary me. If you had any real perception
of my nature, you would have made some music, you would have lulled my
feelings--but no, you love me for yourself and not for myself.”
The storm which convulsed the young man’s heart calmed down at these
words. He slowly approached her, letting his eyes take in the seductive
creature who lay exhausted before him, her head resting in her hand and
her elbow on the couch.
“You think that I do not love you,” she resumed. “You are mistaken.
Listen to me, Wilfrid. You are beginning to know much; you have suffered
much. Let me explain your thoughts to you. You wished to take my hand
just now”; she rose to a sitting posture, and her graceful motions
seemed to emit light. “When a young girl allows her hand to be taken it
is as though she made a promise, is it not? and ought she not to fulfil
it? You well know that I cannot be yours. Two sentiments divide and
inspire the love of all the women of the earth. Either they devote
themselves to suffering, degraded, and criminal beings whom they desire
to console, uplift, redeem; or they give themselves to superior men,
sublime and strong, whom they adore and seek to comprehend, and by whom
they are often annihilated. You have been degraded, though now you are
purified by the fires of repentance, and to-day you are once more noble;
but I know myself too feeble to be your equal, and too religious to bow
before any power but that On High. I may refer thus to your life, my
friend, for we are in the North, among the clouds, where all things are
abstractions.”
“You stab me, Seraphita, when you speak like this. It wounds me to hear
you apply the dreadful knowledge with which you strip from all things
human the properties that time and space and form have given them,
and consider them mathematically in the abstract, as geometry treats
substances from which it extracts solidity.”
“Well, I will respect your wishes, Wilfrid. Let the subject drop. Tell
me what you think of this bearskin rug which my poor David has spread
out.”
“It is very handsome.”
“Did you ever see me wear this ‘doucha greka’?”
She pointed to a pelisse made of cashmere and lined with the skin of the
black fox,--the name she gave it signifying “warm to the soul.”
“Do you believe that any sovereign has a fur that can equal it?” she
asked.
“It is worthy of her who wears it.”
“And whom you think beautiful?”
“Human words do not apply to her. Heart to heart is the only language I
can use.”
Public-domain text, read in full here on John Shaqi.
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