Egypt -- History -- 30 B.C.-640 A.D. -- Fiction; German fiction -- Translations into English
Rome, even, could not boast of a handsomer street, and Dada expressed
her delight with frank eagerness; but Karnis did not echo her praises;
he was indignant at finding that the Christians had removed a fine
statue of the venerable Nile-god surrounded by the playful forms of his
infant children, which had formerly graced the fountain in the middle of
the avenue, and had also overthrown or mutilated the statues of Hermes
that had stood by the roadside. Orpheus sympathized in his wrath which
reached its climax when, on looking for two statues, of Demeter and of
Pallas Athene, of which Karnis had spoken to his son as decorating the
gateway of one of the finest houses in the city, they beheld instead,
mounted on the plinths, two coarsely-wrought images of the Lamb with its
Cross.
“Like two rats that have been caught under a stone!” cried the old
man. “And what is most shameful is that I would wager that they have
destroyed the statues which were the pride of the town and thrown them
on a rubbish heap. In my day this house belonged to a rich man
named Philippus. But stop--was not he the father of our hospitable
protector...”
“The steward spoke of Porphyrius as the son of Philippus,” Orpheus said.
“And Philippus was a corn merchant, too,” added Karnis. “Demeter was
figurative of a blessing on the harvest, for it was from that the house
derived its wealth, and Pallas Athene was patroness of the learning that
was encouraged by its owners. When I was a student here every wealthy
man belonged to some school of philosophy. The money-bag did not count
for everything. Heathen or Jew, whether engaged in business or enjoying
the revenues of an inherited fortune, a man was expected to be able to
talk of something besides the price of merchandise and the coming and
sailing of vessels.”
During this conversation Dada had withdrawn her hand from the old man’s
arm to raise her veil, for two men had gone up to the gate between the
images that had roused Karnis to wrath, and one of them, who at this
instant knocked at the door, was Mary’s son.
“Father, see, there he is!” cried Dada, as the door was opened, speaking
louder than was at all necessary to enable her companion to hear her;
the musician at once recognized Marcus, and turning to his son he said:
“Now we may be quite sure! Porphyrius and this young Christian’s father
were brothers. Philippus must have left his house to his eldest son who
is the one that is dead, and it now belongs no doubt to Mary, his widow.
I must admit, child, that you choose your adorers from respectable
families!”
“I should think so,” said the girl laughing. “And that is why he is so
proud. My fine gentleman has not even a glance to cast at us. Bang! the
door is shut. Come along, uncle!”
The young man in question entered the hall of his father’s house with
his companion and paused there to say in a tone of pressing entreaty:
“Only come and speak with my mother; you really must not leave like
this.”
Public-domain text, read in full here on John Shaqi.
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