The shadows of the great columns in the fore hall, and of the double colonnade on each side of the hypostyle, lay like bands of crape on the many-colored pavement; borders, circles, and ellipses of mosaic diversified the smooth and lucent surface, in which were mirrored the astrological figures which sparkled in brighter hues on the ceiling, the trophies of symbols and mythological groups that graced the walls in tinted high relief, and the statues and Hermes between the columns. A wreath of lovely forms and colors dazzled the eye with their multiplicity and profusion, and the heavy atmosphere of incense which filled the halls was almost suffocating, while the magical and mystical signs and figures were so many and so new that the enquiring mind, craving for an explanation and an interpretation of all these incomprehensible mysteries, hardly dared investigate them in detail. A heavy curtain, that looked as though giants must have woven it on a loom of superhuman proportions, hung, like a thick cloud shrouding a mountain-peak, from the very top of the hypostyle, in grand folds over the niche containing the statue, and down to the floor; and while it hid the sacred image from the gaze of the worshipper it attracted his attention by the infinite variety of symbolical patterns and beautiful designs which were woven in it and embroidered on it. The gold and silver vessels and precious jewels that lay concealed by this hanging were of more value than many a mighty king's treasure; and everything was on so vast a scale that man shuddered to feel his own littleness, and the mind sought some new standard of measurement by which to realize such unwonted proportions. The finite here seemed to pass into the infinite; and as the spectator gazed up, with his head thrown back, at the capitals of the lofty columns and the remote height of the ceiling, his sight failed him before he had succeeded in distinguishing or even perceiving a small portion only of the bewildering confusion of figures and emblems that were crowded on to the surface. Greek feeling for beauty had here worked hand in hand with Oriental taste for gorgeous magnificence, and every detail could bear examination; for there was not a motive of the architecture, not a work of sculpture, painting, or mosaic, not a product of the foundry or the loom, which did not bear the stamp of thorough workmanship and elaborate finish. The ruddy, flecked porphyry, the red, white, green, or yellow marbles which had been used for the decorations were all the finest and purest ever wrought upon by Greek craftsmen. Each of the hundreds of sculptured works which here had found a home was the masterpiece of some great artist; as the curious visitor lingered in loving contemplation of the mosaics on the polished floor, or examined the ornamental mouldings that framed the reliefs, dividing the walls into panels, he was filled with wonder and delight at