Egypt -- History -- 30 B.C.-640 A.D. -- Fiction; German fiction -- Translations into English
These were her thoughts as she and her guide stopped at a strong door.
This was presently opened and they found themselves in an underground
chamber, devoted to the mysteries of the worship of Serapis, in which the
adepts were required to go through certain severe ordeals before they
were esteemed worthy to be received into the highest order of the
initiated--the Esoterics. The halls and corridors which she now went
through, and which she had never before seen, were meagrely lighted with
lamps and torches, and all that met her eye filled her with reverent awe
while it excited her imagination. Everything, in fact--every room and
every image--was as unlike nature, and as far removed from ordinary types
as possible, in arrangement and appearance. After passing through a
pyramidal room, with triangular sides that sloped to a point, she came to
one in the shape of a polygonal prism. In a long, broad corridor she had
to walk on a narrow path, bordered by sphinxes; and there she clung
tightly to her guide, for on one side of the foot-way yawned a gulf of
great depth. In another place she heard, above her head, the sound of
rushing waters, which then fell into the abyss beneath with a loud roar.
After this she came upon a large grotto, hewn in the living rock and
defended by a row of staring crocodiles' heads, plated with gold; the
heavy smell of stale incense and acrid resins choked her, and her way now
lay over iron gratings and past strangely contrived furnaces. The walls
were decorated with colored reliefs: Tantalus, Ixion, and Sisyphus
toiling at his stone, looked down on her in hideous realism as she went.
Rock chambers, fast closed with iron doors, as though they enclosed
inestimable treasures or inscrutable secrets, lay on either hand, and her
dress swept against numerous images and vessels closely shrouded in
hangings.
When she ventured to look round, her eye fell on monstrous forms and
mystical signs and figures; if she glanced upwards, she saw human and
animal forms, and mixed with these the various constellations, sailing in
boats--the Egyptian notion of their motions--along the back of a woman
stretched out to an enormous length; or, again, figures by some Greek
artist: the Pleiades, Castor and Pollux as horsemen with stars on their
heads, and Berenice's star-gemmed hair.
The effect on the girl was bewildering, overpowering, as she made her way
through this underground world. The things she had glimpses of were very
sparely illuminated, nay scarcely discernible, and yet appallingly real;
what mysteries, what spells might not he hidden in all she did not see!
She felt as if the end of life, which she was looking for, had already
begun, as if she had already gone down, alive, into Hades.
The path gradually sloped upwards and at last she ascended, by a spiral
staircase, to the ground-floor of the temple. Once or twice she had met
a few men, but solemn silence reigned in those subterranean chambers.
Public-domain text, read in full here on John Shaqi.
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