French fiction -- Translations into English; Paris (France) -- Fiction
Jeanne and Micheline grew up amid this colossal prosperity. The one,
tall, brown-haired, with blue eyes changing like the sea; the other,
fragile, fair, with dark dreamy eyes. Jeanne, proud, capricious, and
inconstant; Micheline, simple, sweet, and tenacious. The brunette
inherited from her reckless father and her fanciful mother a violent and
passionate nature; the blonde was tractable and good like Michel, but
resolute and firm like Madame Desvarennes. These two opposite natures
were congenial, Micheline sincerely loving Jeanne, and Jeanne feeling
the necessity of living amicably with Micheline, her mother’s idol,
but inwardly enduring with difficulty the inequalities which began to
exhibit themselves in the manner with which the intimates of the house
treated the one and the other. She found these flatteries wounding, and
thought Madame Desvarennes’s preferences for Micheline unjust.
All these accumulated grievances made Jeanne conceive the wish one
morning of leaving the house where she had been brought up, and where
she now felt humiliated. Pretending to long to go to England to see
that rich relative of her father, who, knowing her to be in a brilliant
society, had taken notice of her, she asked Madame Desvarennes to allow
her to spend a few weeks from home. She wished to try the ground in
England, and see what she might expect in the future from her family.
Madame Desvarennes lent herself to this whim, not guessing the young
girl’s real motive; and Jeanne, well attended, went to her aunt’s home
in England.
Madame Desvarennes, besides, had attained the summit of her hopes,
and an event had just taken place which preoccupied her. Micheline,
deferring to her mother’s wishes, had decided to allow herself to be
betrothed to Pierre Delarue, who had just lost his mother, and whose
business improved daily. The young girl, accustomed to treat Pierre like
a brother, had easily consented to accept him as her future husband.
Public-domain text, read in full here on John Shaqi.
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