In short, all the vessels of the sanctuary are taken away by the Lord of
the temple. The “twelve oxen,” bearing the “molten sea,” have given
place to “the twelve apostles of the Lamb,” proclaiming “the washing of
regeneration and renewing of the Holy Ghost.” The sprinkled mercy-seat,
with its overshadowing and intensely-gazing cherubim, has given place to
“the throne of grace,” stained with the blood of a costlier sacrifice,
into which the angels desire to look. The priest, the altar, the
burnt-offering, the table of shew-bread, and the golden candlestick, have
given place to the better things of the new dispensation introduced by
the Son of God, of which they were only the figures and the types.
Behold, the glory is gone up from the temple, and rests upon Jesus on
mount Tabor; and Moses and Elias are there, with Peter, and James, and
John; and the representatives of the old covenant are communing with the
apostles of the new, and the transfigured Christ is the medium of the
communication; and a voice of majestic music, issuing from “the excellent
glory,” proclaims—“This is my beloved Son; hear ye him!”
“God, who at sundry times and in divers manners spake unto our fathers by
the prophets, hath in these last days spoken unto us by his Son.” Behold
him nailed to the cross, and hear him cry—“It is finished!” The voice
which shook Sinai is shaking Calvary. Heaven and hell are in conflict,
and earth trembles at the shock of battle. The Prince of Life expires,
and the sun puts on his robes of mourning. Gabriel! descend from heaven,
and explain to us the wondrous emblem! As set the sun at noon on
Golgotha, making preternatural night throughout the land of Palestine; so
shall the empire of sin and death be darkened, and their light shall be
quenched at meridian. As the Sun of Righteousness, rising from the night
of the grave on the third morning, brings life and immortality to light;
so shall “the day-spring from on high” yet dawn upon our gloomy vale, and
“the power of his resurrection” shall reanimate the dust of every
cemetery!
Public-domain text, read in full here on John Shaqi.
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