Transcribed from the 1894 George Allen edition by David Price, email ccx074@pglaf.org [Picture: Public domain book cover] SESAME AND LILIES By John Ruskin Contents Lecture I. Sesame Lecture II. Lilies Preface to the Later Editions Lecture III. The Mystery of Life and its Arts Preface to the Later Editions BEING now fifty-one years old, and little likely to change my mind hereafter on any important subject of thought (unless through weakness of age), I wish to publish a connected series of such parts of my works as now seem to me right, and likely to be of permanent use. In doing so I shall omit much, but not attempt to mend what I think worth reprinting. A young man necessarily writes otherwise than an old one, and it would be worse than wasted time to try to recast the juvenile language: nor is it to be thought that I am ashamed even of what I cancel; for great part of my earlier work was rapidly written for temporary purposes, and is now unnecessary, though true, even to truism. What I wrote about religion, was, on the contrary, painstaking, and, I think, forcible, as compared with most religious writing; especially in its frankness and fearlessness: but it was wholly mistaken: for I had been educated in the doctrines of a narrow sect, and had read history as obliquely as sectarians necessarily must. Mingled among these either unnecessary or erroneous statements, I find, indeed, some that might be still of value; but these, in my earlier books, disfigured by affected language, partly through the desire to be thought a fine writer, and partly, as in the second volume of ‘Modern Painters,’ in the notion of returning as far as I could to what I thought the better style of old English literature, especially to that of my then favourite, in prose, Richard Hooker. For these reasons,—though, as respects either art, policy, or morality, as distinct from religion, I not only still hold, but would even wish strongly to re-affirm the substance of what I said in my earliest books,—I shall reprint scarcely anything in this series out of the first and second volumes of ‘Modern Painters’; and shall omit much of the ‘Seven Lamps’ and ‘Stones of Venice’; but all my books written within the last fifteen years will be republished without change, as new editions of them are called for, with here and there perhaps an additional note, and having their text divided, for convenient reference, into paragraphs, consecutive through each volume. I shall also throw together the shorter fragments that bear on each other, and fill in with such unprinted lectures or studies as seem to me worth preserving, so as to keep the volumes, on an average, composed of about a hundred leaves each.