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Now, the highest representatives of men who have thus endeavoured, during
the Christian era, to search out these deep things, and relate them, are
Dante and Milton. There are none who for earnestness of thought, for
mastery of word, can be classed with these. I am not at present, mind
you, speaking of persons set apart in any priestly or pastoral office, to
deliver creeds to us, or doctrines; but of men who try to discover and
set forth, as far as by human intellect is possible, the facts of the
other world. Divines may perhaps teach us how to arrive there, but only
these two poets have in any powerful manner striven to discover, or in
any definite words professed to tell, what we shall see and become there;
or how those upper and nether worlds are, and have been, inhabited.
And what have they told us? Milton’s account of the most important event
in his whole system of the universe, the fall of the angels, is evidently
unbelievable to himself; and the more so, that it is wholly founded on,
and in a great part spoiled and degraded from, Hesiod’s account of the
decisive war of the younger gods with the Titans. The rest of his poem
is a picturesque drama, in which every artifice of invention is visibly
and consciously employed; not a single fact being, for an instant,
conceived as tenable by any living faith. Dante’s conception is far more
intense, and, by himself, for the time, not to be escaped from; it is
indeed a vision, but a vision only, and that one of the wildest that ever
entranced a soul—a dream in which every grotesque type or phantasy of
heathen tradition is renewed, and adorned; and the destinies of the
Christian Church, under their most sacred symbols, become literally
subordinate to the praise, and are only to be understood by the aid, of
one dear Florentine maiden.
I tell you truly that, as I strive more with this strange lethargy and
trance in myself, and awake to the meaning and power of life, it seems
daily more amazing to me that men such as these should dare to play with
the most precious truths, (or the most deadly untruths,) by which the
whole human race listening to them could be informed, or deceived;—all
the world their audiences for ever, with pleased ear, and passionate
heart;—and yet, to this submissive infinitude of souls, and evermore
succeeding and succeeding multitude, hungry for bread of life, they do
but play upon sweetly modulated pipes; with pompous nomenclature adorn
the councils of hell; touch a troubadour’s guitar to the courses of the
suns; and fill the openings of eternity, before which prophets have
veiled their faces, and which angels desire to look into, with idle
puppets of their scholastic imagination, and melancholy lights of frantic
faith in their lost mortal love.
Is not this a mystery of life?
Public-domain text, read in full here on John Shaqi.
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