Sevastopol (Ukraine) -- History -- Siege, 1854-1855 -- Fiction
A little further on, you see an old soldier changing his linen. His
face and body are of a sort of cinnamon-brown color, and gaunt as a
skeleton. He has no arm at all; it has been cut off at the shoulder. He
is sitting with a wide-awake air, he puts himself to rights; but you
see, by his dull, corpse-like gaze, his frightful gauntness, and the
wrinkles on his face, that he is a being who has suffered for the best
part of his life.
On the other side, you behold in a cot the pale, suffering, and
delicate face of a woman, upon whose cheek plays a feverish flush.
“That's our little sailor lass who was struck in the leg by a bomb on
the 5th,” your guide tells you. “She was carrying her husband's dinner
to him in the bastion.”
“Has it been amputated?”
“They cut it off above the knee.”
Now, if your nerves are strong, pass through the door on the left.
In yonder room they are applying bandages and performing operations.
There, you will see doctors with their arms blood-stained above the
elbow, and with pale, stern faces, busied about a cot, upon which, with
eyes widely opened, and uttering, as in delirium, incoherent, sometimes
simple and touching words, lies a wounded man under the influence of
chloroform. The doctors are busy with the repulsive but beneficent
work of amputation. You see the sharp, curved knife enter the healthy,
white body, you see the wounded man suddenly regain consciousness with
a piercing cry and curses, you see the army surgeon fling the amputated
arm into a corner, you see another wounded man, lying in a litter in
the same apartment, shrink convulsively and groan as he gazes at the
operation upon his comrade, not so much from physical pain as from the
moral torture of anticipation.—You behold the frightful, soul-stirring
scenes; you behold war, not from its conventional, beautiful, and
brilliant side, with music and drum-beat, with fluttering flags and
galloping generals, but you behold war in its real phase—in blood, in
suffering, in death.
On emerging from this house of pain, you will infallibly experience
a sensation of pleasure, you will inhale the fresh air more fully,
you will feel satisfaction in the consciousness of your health, but,
at the same time, you will draw from the sight of these sufferings a
consciousness of your nothingness, and you will go calmly and without
any indecision to the bastion.
“What do the death and sufferings of such an insignificant worm as I
signify in comparison with so many deaths and such great sufferings?”
But the sight of the clear sky, the brilliant sun, the fine city, the
open church, and the soldiers moving about in various directions soon
restores your mind to its normal condition of frivolity, petty cares,
and absorption in the present alone.
Public-domain text, read in full here on John Shaqi.
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