Leafy, blossom and other shapes in toilé are arranged to form the outer waved edges between which are baskets of flowers, etc. The toilé forms are partially accentuated with a plaited cordonnet. The details of the pattern are made separately on the pillow, and then joined by a fine réseau, called vrai réseau de Bruxelles. The fillings are wonderfully fine. 4 ft. 10 in. × 3 in. _Brussels, 18th century_] [Illustration: PLATE CVI. TWO PARTS OF A BORDER OF BOBBIN-MADE LACE, CALLED BRUSSELS POINT The flowers made separately and almost entirely of a plaited cordonnet are joined on the pillow by a fine vrai réseau de Bruxelles. The design is in the style of Louis XVI. point d'Alençon. The reverse of the lace is shown in No. 2. The thread of the réseau can be seen passing behind the patterns. 5 ft. 3 in. × 5 in. _Brussels, 18th century_] [Illustration: PLATE CVII. (1) A SCARF. (2) A CAP No. 1. A scarf of bobbin-made lace, called Antwerp lace, or Potten Kant or Pot Lace. The réseau is somewhat similar to that of the point de Paris, a variant of the cinq trous. The lace is made on the pillow in strips which are almost imperceptibly joined together. The toilé details are outlined with a stout thread cordonnet 12 ft. × 8 in. _Antwerp, late 18th century_ No. 2. A cap of bobbin-made lace, called Lille lace. The lace is made on the pillow in strips, joined together. The réseau is of simply twisted threads. 11 in. × 11 in. _Lille, late 18th century_] [Illustration: PLATE CVIII. THREE BORDERS OF BOBBIN-MADE LACE, CALLED VALENCIENNES POINT This early Valenciennes has a round plaited mesh, in distinction to that of the later Valenciennes lace, which has a square mesh Together 8 ft. 5 in. _Valenciennes, 18th century_] [Illustration: PLATE CIX. FOUR BORDERS OF BOBBIN-MADE LACE, CALLED VALENCIENNES LACE, WITH SQUARE MESH RÉSEAU Together 7 ft. _Yprès, 19th century_] [Illustration: PLATE CX. BORDER OF BOBBIN-MADE LACE, WITH A POINT DE PARIS RÉSEAU An eagle, with shield, dogs and stags are repeated in the pattern. The réseau and the toilé are both made with the same thread. 4 ft. 10 in. × 3 in. _Paris, late 17th century_] [Illustration: PLATE CXI. FLOUNCE FOR A DRESS, OF BOBBIN-MADE SILK LACE Pattern of repeated heavy flowers in sprays, forming a waved edge _Made at Chantilly, 1820-30_] [Illustration: PLATE CXII. THREE BORDERS OF BOBBIN-MADE LACE WITH A RÉSEAU OF MAGLIA DI SPAGNA No. 1 is of linen thread with a heavy thread introduced, not as in some Flemish laces to outline the pattern, but to form strong leading lines in it. Nos. 2 and 3 are bobbin-made silk lace, a coarser silk thread is introduced. These were the ruffles for a coat sleeve Together 9 ft. _Spanish, late 18th century_] [Illustration: PLATE CXIII. MANTILLA OR SCARF OF BOBBIN-MADE BLACK SILK LACE Some of the fillings are of the point de Paris réseau, also called fond chant from Chantilly, where much of the so-called Spanish silk lace was made