In the Summer Term of ‘93 a bolt from the blue flashed down on Oxford. It drove deep, it hurtlingly embedded itself in the soil. Dons and undergraduates stood around, rather pale, discussing nothing but it. Whence came it, this meteorite? From Paris. Its name? Will Rothenstein. Its aim? To do a series of twenty-four portraits in lithograph. These were to be published from the Bodley Head, London. The matter was urgent. Already the Warden of A, and the Master of B, and the Regius Professor of C, had meekly ‘sat.’ Dignified and doddering old men, who had never consented to sit to any one, could not withstand this dynamic little stranger. He did not sue: he invited; he did not invite: he commanded. He was twenty-one years old. He wore spectacles that flashed more than any other pair ever seen. He was a wit. He was brimful of ideas. He knew Whistler. He knew Edmond de Goncourt. He knew every one in Paris. He knew them all by heart. He was Paris in Oxford. It was whispered that, so soon as he had polished off his selection of dons, he was going to include a few undergraduates. It was a proud day for me when I--I--was included. I liked Rothenstein not less than I feared him; and there arose between us a friendship that has grown ever warmer, and been more and more valued by me, with every passing year. At the end of Term he settled in--or rather, meteoritically into--London. It was to him I owed my first knowledge of that forever enchanting little world-in-itself, Chelsea, and my first acquaintance with Walter Sickert and other august elders who dwelt there. It was Rothenstein that took me to see, in Cambridge Street, Pimlico, a young man whose drawings were already famous among the few--Aubrey Beardsley, by name. With Rothenstein I paid my first visit to the Bodley Head. By him I was inducted into another haunt of intellect and daring, the domino room of the Cafe Royal. There, on that October evening--there, in that exuberant vista of gilding and crimson velvet set amidst all those opposing mirrors and upholding caryatids, with fumes of tobacco ever rising to the painted and pagan ceiling, and with the hum of presumably cynical conversation broken into so sharply now and again by the clatter of dominoes shuffled on marble tables, I drew a deep breath, and ‘This indeed,’ said I to myself, ‘is life!’