Actresses -- Fiction; Irish -- United States -- Fiction; Love stories; Mystery fiction; Young women -- Fiction
Patsy O'Connell sat on the edge of her cot in the women's free ward
of the City Hospital. She was pulling on a vagabond pair of gloves
while she mentally gathered up a somewhat doubtful, ragged lot of
prospects and stood them in a row before her for contemplation,
comparison, and a final choice. They strongly resembled the contents
of her steamer trunk, held at a respectable boarding-house in
University Square by a certain Miss Gibb for unpaid board, for these
were made up of a jumble of priceless and worthless belongings,
unmarketable because of their extremes.
She had time a-plenty for contemplation; the staff wished to see her
before she left, and the staff at that moment was consulting at the
other end of the hospital.
Properly speaking, Patsy was Patricia O'Connell, but no one had ever
been known to refer to her in that cold-blooded manner, save on the
programs of the Irish National Plays--and in the City Hospital's
register. What the City Hospital knew of Patsy was precisely what the
American public and press knew, what the National Players knew, what
the world at large knew--precisely what Patricia O'Connell had chosen
to tell--nothing more, nothing less. They had accepted her on her own
scanty terms and believed in her implicitly. There was one thing
undeniably true about her--her reality. Having established this fact
beyond a doubt, it was a simple matter to like her and trust her.
No one had ever thought it necessary to question Patsy about her
nationality; it was too obvious. Concerning her past and her family
she answered every one alike: "Sure, I was born without either. I was
found by accident, just, one morning hanging on to the thorn of a
Killarney rose-bush that happened to be growing by the Brittany
coast. They say I was found by the Physician to the King, who was
traveling past, and that's how it comes I can speak French and King's
English equally pure; although I'm not denying I prefer them both
with a bit of brogue." She always thought in Irish--straight, Donegal
Irish--with a dropping of final g's, a bur to the r's, and a "ye"
for a "you." Invariably this was her manner of speech with those she
loved, or toward whom she felt the kinship of sympathetic
understanding.
To those who pushed their inquisitiveness about ancestry to the
breaking-point Patsy blinked a pair of steely-blue eyes while she
wrinkled her forehead into a speculative frown: "Faith! I can hearken
back to Adam the same as yourselves; but if it's some one more modern
you're asking for--there's that rascal, Dan O'Connell. He's too long
dead to deny any claim I might put on him, so devil a word will I be
saying. Only--if ye should find by chance, any time, that I'd rather
fight with my wits than my fists, ye can lay that to Dan's door;
along with the stubbornness of a tinker's ass."
Public-domain text, read in full here on John Shaqi.
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