Actresses -- Fiction; Irish -- United States -- Fiction; Love stories; Mystery fiction; Young women -- Fiction
She leaned forward impulsively and gathered up the hands of the girl
opposite in the warm, friendly compass of those vagabond gloves. "Do
ye really love him, _cailin a'sthore_?" And this time it was her look
that was sharp.
"Why, of course I love him! What a foolish question! Why should I be
marrying him if I didn't love him? Why do you ask?"
"Because--the son of King Midas with no mother, with no one at all
but the king, growing up all alone in a gloomy old castle, with no
one trusting him, would need a great deal of love--a great, great
deal--"
"That's all right, Ellen. I'll find her for myself." It was a man's
voice, pitched overhigh; it came from somewhere beyond and below the
inclosing curtains and cut off the last of Patsy's speech.
"That's funny," said Marjorie Schuyler, rising. "There's Billy now.
I'll bring him in and let you see for yourself that he's not at all
an object of sympathy--or pity."
She disappeared into the library, leaving Patsy speculating
recklessly. They must have met just the other side of the closed
hangings, for to Patsy their voices sounded very near and close
together.
"Hello, Billy!"
"Listen, Marjorie; if a girl loves a man she ought to be willing to
trust him over a dreadful bungle until he could straighten things out
and make good again--that's true, isn't it?"
"Billy Burgeman! What do you mean?"
"Just answer my question. If a girl loves a man she'll trust him,
won't she?"
"I suppose so."
"You know she would, dear. What would the man do if she didn't?"
The voice sounded strained and unnatural in its intensity and appeal.
Patsy rose, troubled in mind, and tiptoed to the only other door in
the den.
"'Tis a grand situation for a play," she remarked, dryly, "but 'tis
a mortial poor one in real life, and I'm best out of it." She turned
the knob with eager fingers and pulled the door toward her. It opened
on a dumbwaiter shaft, empty and impressive. Patsy's expression would
have scored a hit in farce comedy. Unfortunately there was no
audience present to appreciate it here, and the prompter forgot to
ring down the curtain just then, so that Patsy stood helpless, forced
to go on hearing all that Marjorie and her leading man wished to
improvise in the way of lines.
"... I told you, _forged_--"
Patsy was tempted to put her fingers in her ears to shut out the
sound of his voice and what he was saying, but she knew even then she
would go on hearing; his voice was too vibrant, too insistent, to be
shut out.
"... my father's name for ten thousand. I took the check to the bank
myself, and cashed it; father's vice-president.... Of course the
cashier knew me.... I tell you I can't explain--not now. I've got to
get away and stay away until I've squared the thing and paid father
back."
"Billy Burgeman, did you forge that check yourself?"
"What does that matter--whether I forged it or had it forged or saw
it forged? I tell you I cashed it, knowing it was forged. Don't you
understand?"
Public-domain text, read in full here on John Shaqi.
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