Seventeen Years Among the Sea Dyaks of Borneo: A Record of Intimate Association with the Natives of the Bornean JunglesGomes, Edwin Herbert
History
Seventeen Years Among the Sea Dyaks of Borneo: A Record of Intimate Association with the Natives of the Bornean Jungles
Gomes, Edwin Herbert
Iban (Bornean people); Sarawak (Malaysia) -- Description and travel
The exploits of the mythical heroes of the Dyaks are also related. The
greatest hero is Klieng, who is not a god, but supposed to belong to
this world of ours. He is not now visible to human eyes, but his help is
often invoked in times of war, and offerings of food are often made to
him. Tradition says that he had no father or mother, but was found in the
knot of a tree by Ngelai, who brought him up as his brother. As he grew
up, he developed a restless spirit, and would not apply himself to the
regular Dyak pursuits. He was wayward and capricious, and would disappear
for long periods, often being given up for dead by his sorrowing friends.
Then he would suddenly reappear in his own home, to the surprise and
joy of his friends. He is represented as handsome and brave, and always
successful in expeditions against his enemies. He had a wonderful power
of metamorphosis, and, when necessary, could transform himself into an
animal or anything else. On one occasion he is said to have changed
himself into the fragment of a broken water-gourd, and was carried by
Ngelai in his basket to the battle. The enemy were too powerful for them,
and Ngelai and his friends were being defeated, when the basket was
placed on the ground, and Klieng revealed himself in his true character
of a great warrior, and in a very short time routed the enemy.
Klieng married Kumang, the Dyak Venus. Many stories concerning them are
set to native song. These _kana_ are sometimes sung by some Dyak singer,
who lies on a mat or sits on a swing in the dim light of the covered
veranda of the long Dyak house. His audience sit or lie around and listen
to him, very often till the small hours of the morning. The incidents
in a story thus sung are not many, but the Dyaks delight in verbosity
and amplification, and use a dozen similes where one would do, and love
to repeat over and over again the description of the various characters
in different words, with the double object of showing their command of
language and to lengthen the story.
They have many amusing tales told of Apai Saloi (the father of Saloi)—the
Simple Simon of the Dyaks. He is represented as doing the most foolish
things, and always outwitted by his enemy, Apai Samumang (the father of
Samumang), who does not hesitate to take advantage of his stupidity.
The following will give an idea of the kind of story related of Apai
Saloi:—One day he was paddling in his boat in the river, and his axe-head
fell into the water. He made a notch in the side of the boat to mark
the spot where the axe-head dropped into the water, and paddled home.
“There will be plenty of time,” he said, “for me to look for it to-morrow
morning.” He reached the landing-stage of his house, and pulled his boat
up the bank. The next day he went to the boat and looked for his lost
axe-head underneath the part of the boat where he saw the notch he had
made the day before. He was very much surprised at not finding his lost
axe-head!
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account